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我爸救了圣誕節(jié)2
圣地亞哥·塞古拉,埃內斯托·塞維利亞,Pablo Chiapella鬼影2025
Vino G. Bastian,Anya Geraldine,尼肯·安賈尼,唐尼·阿蘭西亞,安德里·馬沙迪,Rangga Nattra,Nugie,魯克曼·羅薩迪,Dewi Gita,Michelle Tahalea,Agus Mahesa,Iyang Darmawan,Angie Ang,Bayu T.,Megarita,Rinni Ruyono,Gabriella Cecilia,Widyawati,Dian Nova,Nesia Nuari情報2025
許成泰,趙福來蛇
尤·伯連納,亨利·方達,德克·博加德,菲利普·努瓦雷,米歇爾·布凱,維爾娜·麗絲,蓋·崔揚,埃爾加·安德森,瑪麗·杜布瓦,娜塔麗·內瓦爾,安德烈·福爾肯,羅伯特·帕蒂,威廉·薩巴達,羅伯特·阿爾達,寶拉·皮塔格拉,路易吉·迪貝爾蒂,弗朗索瓦·麥斯特,赫伯特·?？怂?伊娃·瑪麗亞·梅內克,法利·格蘭杰養(yǎng)鬼吃人
敖德薩·阿德隆,杰米·克萊頓,亞當·費森,德魯·斯塔基,布蘭登·弗林,伊芙·海因德,杰森·萊爾斯,尹金·奧洛倫尼夫,賽琳娜·露,扎卡里·興,基特·克拉克,高蘭·維斯耶克,西婭姆·阿巴斯,普里德拉格·比耶拉克,戈麗察·瑞格迪克,武卡辛·約萬諾維奇,伊沃娜·庫斯圖迪奇,米奧德拉格·米洛瓦諾夫,尼古拉·肯特,凱蒂·戈伊科維奇索命哨
達芙妮·基恩,蘇菲·奈麗絲,珀西·海恩斯·懷特,尼克·弗羅斯特,艾麗·斯考比,楊子英,斯蒂芬·卡林,米卡·阿蒙森,邁克爾·科拉斯,賈納婭·斯蒂芬斯,蘭內特·瓦雷,特洛伊·詹姆斯,賈利勒·斯瓦比,蔣如思,朱莉婭·迪揚,Cameron Gordon Norris,Toria Summerville,Louis Adams,梅努卡·薩瓦爾,克里斯蒂娜·薩赫利導演精選
養(yǎng)鬼吃人7
《倫敦地下城市》一個女記者被派遣到羅馬尼亞首都布加勒斯特調查一個地下自殺邪教“死魂靈”。她很快就陷入了他們的黑暗世界，無法找到回頭路，從而被迫加入他們，迎接一項極為恐怖的事情... ...
女人
影片講述了一個從小被拋棄于森林，依照動物生存模式存活下來的女人。被一個男人擄掠回家并且受盡欺凌。這家人中，男主人極度大男子主義，仇視女人。小兒子因為受父親教導也對女人極不尊敬。懦弱并逆來順受的母親，被父親侮辱而懷孕的大女兒，以及不諳世事的小女兒。故事的最后，大女兒在極度絕望和恐懼的支配下放了野女人，野女人殺了她的父母和弟弟，帶走了她的妹妹。 本片以不太恐怖的氛圍，卻深刻的暗喻了一個至今仍然存在的嚴重的社會現(xiàn)象，男人應該如何看待女人，女人應該如何正確扮演家庭中的角色。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.