薄紗挑逗珍琳火辣吞吐尺度破表

孤兒2025

鬼們之蝴蝶大廈

　　陳薇（尹馨 飾）帶著女兒（林采潔 飾）為躲避家暴的丈夫住進有自殺勝地之稱的蝴蝶大廈后怪事頻傳。管理員梁伯（馮淬帆 飾）和頂樓的廟公山叔（蔡振南 飾）不斷提醒她這一層樓不太干凈，如果有能力還是盡快搬走，但是經濟拮據的她暫時只能棲身于此。各種三教九流的鄰居、雜貨鋪有陰陽眼的自閉癥男孩阿弟（白潤音 飾），還有那間被再三交代禁止靠近的613號房，一切都令陳薇感到詭異莫名。外表陽光的代班管理員小梁（曹佑寧 飾）對獨立堅強的陳薇照顧有加，經常借故上門幫忙維修家電，陳薇女兒看到他來也會難得露出微笑。正值鬼門開時，蝴蝶大廈內意外頻傳，甚至發生許多靈異事件，但老住戶們似乎已經習以為常。陳薇原本是想帶女兒逃離丈夫，不料卻將自己卷入更大危機之中...

外星人2025

在將未婚夫留在祭壇后，梅麗莎和朋友們一起住在一間小屋里。當珍妮被發現在樹林里被肢解，外星人襲擊了國家時，女孩們必須為生存而戰。

不明影像：絕對點擊禁止

　　在網絡監查科兼職的大學生俊赫，為了和生氣的女友世熙（樸寶英 飾）重歸于好，轉而求助于女友的妹妹——高中女孩靜美。靜美是一個沉迷以來網絡的時尚女孩，她答應幫助俊赫，條件是俊赫能幫她找一些網上封禁的稀奇古怪的視頻。萬般無奈，俊赫只得幫忙尋找，誰知卻意外下載到一段詭異的視頻。這段視頻每次的文件名每次都會改變，每次打開后也會呈現不同的內容，甚至在看完之前都無法關閉。倒霉的靜美似乎恰恰碰上了那個傳說中的詛咒視頻，在此之后，她的周圍接連發生詭異事件。　　網絡時代帶來便利，也衍生了假象與罪惡，通往地獄的大門慢慢開啟……

惡鬼病毒

改編自二宮敦人的超人氣恐怖小說《惡鬼病毒》，講述YouTuber內川智樹帶著他的朋友日名子、颯太和奈々枝來到傳聞中有著神秘失蹤事件的舊石尾村拍攝一段調查都市傳說的視頻。幾天后，警方在村外的一條隧道附近發現了四人租用的汽車，而在現場發現的一臺攝像機則記錄下了令人震驚的畫面。緊鎖的房屋、身著武裝制服的兒童、被關起來的成年人，以及在新月之夜發病的成年人......這個村子里究竟發生了什么？

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.