酒色財(cái)氣

當(dāng)一位作曲家的任務(wù)是完成她已故導(dǎo)師的協(xié)奏曲時(shí)，她很快發(fā)現(xiàn)演奏音樂(lè)會(huì)帶來(lái)致命的后果，這讓她發(fā)現(xiàn)了旋律的令人不安的起源和已經(jīng)覺(jué)醒的邪惡。

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　橫跨30年的10宗滅門慘案，所有遇害家庭都有一個(gè)共通點(diǎn)：有一位14號(hào)生日的小女生。

　　女警阿玲（舒淇 飾）身邊有一對(duì)兒癡狂的追求者，但她的心思在那個(gè)夢(mèng)中搭救她的白衣男子身上。好友祖兒（陳逸寧 飾）得到了一份前往馬來(lái)西亞拍攝廣告的工作，心情不佳的阿玲隨同旅行。介紹祖兒工作的波比陳（林雪 飾）為人輕浮好色，暗中還是黑市交易中間人，波比陳正籌劃從大哥潘（任達(dá)華 飾）手中引進(jìn)飛彈導(dǎo)航系統(tǒng)，而這一交易，被兩名私家偵探華哥（許紹雄 飾）和埃里克斯（安志杰 飾）伺機(jī)破壞。埃里克斯誤會(huì)阿玲是波比陳的交易對(duì)象，而阿玲則認(rèn)為埃里克斯是自己的夢(mèng)中英雄，兩人懷著不同的目的開始交往。另一方面，香港小賊阿蟹（杜汶澤 飾）盲打誤撞破壞了波比陳和大哥潘的交易，幾路人馬陷入了沖突和誤會(huì)……