團(tuán)鬼六白衣繩地獄

評分:0.2 播放:25萬 更新:2026-05-29
主演: 西村昭五郎/

  在中山醫(yī)院擔(dān)任護(hù)士的北川敏子(麻吹淳子 飾)美麗溫柔,她與同事洋子(朝霧友香 飾)是一對同性戀人。雖則如膠似漆,不過敏子最終選擇與英俊的年輕醫(yī)生佐山(中丸信 飾)步入婚姻殿堂。在結(jié)婚前的幾天,敏子接到曾經(jīng)的病人內(nèi)村光枝(橘雪子 飾)的來信,對方誠摯地邀請她來家中做客。敏子應(yīng)約前往,進(jìn)屋后卻發(fā)現(xiàn)光枝被五花大綁捆在地上,緊接著兩個戴著面具的男人突然出現(xiàn),對敏子進(jìn)行了毫無人道的侮辱艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan在此之后,敏子的身心遭受巨大創(chuàng)傷,即使幸福的蜜月也無法彌合她心中的傷痛。隨著時間的流逝,她的臉上漸漸嶄露笑容,然而那段不堪回首的回憶卻又突然襲來……

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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

沉默的鏡像

蒂莫西·赫頓,費(fèi)爾南多·古林·庫弗,米格爾·安赫爾·西爾維斯特

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馬丁·拉波德,Michael Finger,Claude-Oliver Rudolph

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熒屏在發(fā)光

賈斯蒂斯·史密斯,布里蓋特·倫迪·佩恩,伊恩·福爾曼,海倫娜·霍華德,林齊·喬丹,丹妮爾·戴德懷勒,弗里德·德斯特,康納·歐麥利,瑪達(dá)琳·賴?yán)?埃博·本森,艾伯特·伯尼,邁克爾·C·莫羅納,丹尼·塔貝瑞利,蒂莫西·格里芬·艾倫,泰勒·迪恩·弗洛雷斯,伊麗莎白·斯科佩爾,馬林·班迪羅

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