一襲紅裙大波浪人妻沙發(fā)上擺好姿勢(shì)

評(píng)分：3.6 播放：55萬 更新：2026-05-28
主演： 未知/

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小意大利

艾瑪·羅伯茨,海登·克里斯滕森,艾莉莎·米蘭諾,丹尼·愛羅,安德列·馬丁,簡(jiǎn)·西摩,蓋里·巴薩拉巴,亞當(dāng)·費(fèi)拉拉,琳達(dá)·卡辛,克里斯蒂娜·羅塞托

　　Voltage Pictures拿下艾瑪·羅伯茨、海登·克里斯滕森主演的浪漫愛情片[小意大利](Little Italy，暫譯)的國(guó)際銷售權(quán)。該片由唐納德·佩特瑞([倒霉愛神])執(zhí)導(dǎo)，故事類似現(xiàn)代版羅密歐與朱麗葉，講述一名見習(xí)廚師同一位餐廳老板墜入愛河。他們父親是商業(yè)死對(duì)頭，母親卻是秘密的閨中好友。

安眠實(shí)驗(yàn)

Krit Jeerapattananuwong,Warisara Jitpreedasakul,Philaiwan Khamphirathat,凱·樂希迪柴,汪撒孔·拉薩米塔特,帕尼莎拉·里庫(kù)蘇拉康,Supanaree Sutavijitvong,卜密巴特·塔沃斯理,Dujdao Vadhanapakorn,Kim Waddoup

　　Four insomniac med school students are lured into a neuroscience experiment that spirals out of control and must find a way out before it's too late.

梅根失蹤

安伯·珀金斯,蕾切爾·奎恩,迪恩·維特,Jael Elizabeth Steinmeyer,王仲欣,Brittany Hingle,Carolina Sabate,Trigve Hagen,Rudy Galvan,艾普爾·斯圖瓦特,John K. Frazier,Tammy Klein,Lauren Leah Mitchell,Jon Simonelli,Craig Stoa,尼基·克里斯蒂,安德魯·道布勒

　　梅根斯和艾米性格迥異，卻成為了最好的朋友。一天梅根在網(wǎng)絡(luò)聊天室里遇見男孩喬希，兩人一投即合。然而，梅根在去見喬希后神秘消失，艾米于是竭盡全力尋找好朋友。(文/life_is_good@YDY)

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster