　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

重返寂靜嶺

杰瑞米·艾文,漢娜·艾米莉·安德森,艾維·坦普爾頓,羅伯特·斯特蘭奇,皮爾斯·伊根,尼科拉·亞歷克西斯,伊芙·麥凱林,朱莉婭·佩拉加蒂,埃米莉·卡丁,瑪蒂娜·理查茲,霍華德·薩德勒,馬迪奧·帕斯奎尼,梅麗莎·格雷厄姆,勞拉·杜魯,卡莉亞·杜魯,斯拉維薩·伊萬諾維奇,阿拉娜·瑪麗亞,塔瑪拉·里斯托斯卡,賈斯珀·沙龍,桑迪·E·斯科特

在愛人神秘信件的召喚下，詹姆斯（杰瑞米·艾文飾）重新回到了充滿著秘密和詭譎的寂靜嶺。但當他踏入這座小鎮的那一刻卻開始了無盡極限逃生模式：永不停歇的防空警報撕裂耳膜，漫天余燼籠罩大地，熟悉的街道扭曲成噬人的迷宮，三角屠夫、無臉血腥護士、未知詭異生物無處不在，步步緊逼。現實與幻象在寂靜嶺徹底崩塌，詹姆斯一邊躲避致命追殺，一邊試圖用破碎的記憶拼湊出真相。

我最特別的朋友

張頌文,曾柯瑯,陳永勝,王悅伊,石老板,胡宇,田甜

真正的友情從無關身份，而是兩個迷茫的靈魂恰好相互照亮。生活失意的老鄭與無處可去的亮亮相遇，老鄭意外成為網紅，而亮亮成了他身邊最堅定的搭檔。　　兩人一路同行，也在彼此的生命中照進光芒。一段身份懸殊的特殊友誼，在笑淚交織中悄然生長。　　然而，當老鄭在流量中逐漸迷失走向失控，這段關系也迎來了前所未有的考驗……他們，能否成為彼此最特別的那束光？

TOKYOMER～移動的急救室～南海任務電影版

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2025年，在鹿兒島縣與沖繩縣，搭載著配備手術室的特種車輛的渡輪已開始進行試運行。赴任的喜多見與夏梅在離島從事醫療工作。某日，鹿兒島縣的諏訪之瀨島發生火山噴發，為營救島民，他們毅然挑戰這項九死一生的任務。

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