情色游戲
無(wú)聊和被忽視的主婦決定尋求刺激在一個(gè)優(yōu)雅的妓院工艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。她遇見(jiàn)一些有吸引力的和令人興奮的男人和女人，花時(shí)間與在下午。不幸的是，她發(fā)現(xiàn)，在一個(gè)游樂(lè)宮的工作也有一些缺點(diǎn)。
即刻觀影
劇情賞析
編輯推薦
血腥姐妹會(huì)
科林·伊格斯菲德,迪倫·斯派比利,米婭·羅斯·弗蘭普頓,蘭迪·庫(kù)卓,萊克西·阿特金斯,Lala Kent,Sarah McDaniel,雷卡·雷內(nèi),梅莉爾·羅斯,泰勒·喬恩·奧爾森,凱瑟琳·勒,塔尼婭,謝伊·巴克納,詹妮弗·提圖斯,Natali Yura智慧與美貌并存的Riley進(jìn)入大學(xué)后加入了一個(gè)人人眼羨的姐妹會(huì)，成員都有著維密天使般的臉蛋和身材，可姐妹會(huì)中的成員卻相繼死去，被連環(huán)殺人犯取掉身上了一部分做成玩偶，一個(gè)想要睡遍姐妹會(huì)中所有人的帥哥Carter成為首要嫌疑人，軟件Row的秘密也隨之浮出水面，Riley的媽媽竟曾也是姐妹會(huì)的一員 她的死背后隱含著什么秘密
心之高歌
Carola Insolera,Emilio Insolera,Antonio Iorillo,Simonetta Pellizzer,Sarah Toscano,塞雷娜·羅西作為聾人家庭唯一能聽(tīng)見(jiàn)聲音的成員，含羞的少女發(fā)現(xiàn)自己擁有唱歌天賦，她不得不在履行責(zé)任和尋找自己的道路之間做出抉擇。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
沒(méi)有面孔的眼睛
皮埃爾·布拉瑟,愛(ài)迪絲·斯考博,阿莉達(dá)·瓦利,朱麗葉特·麥涅勒,亞歷山大·里尼奧,貝亞特麗斯·阿爾塔里巴,夏爾·布拉韋特,克洛德·布拉瑟,米歇爾·埃切韋里,伊薇特·埃蒂耶旺,勒內(nèi)·熱南,呂西安·于貝爾,馬塞爾·佩雷斯,弗朗索瓦·介朗生物學(xué)教授詹尼西爾（Pierre Brasseur 飾）因一次車(chē)禍?zhǔn)剐膼?ài)的女兒克莉絲汀（Edith Scob 飾）面容盡毀，女兒傷愈后只能終日戴著瘆人的白色面具，痛苦非常。愛(ài)女心切且心懷內(nèi)疚的詹尼西爾與助手路易絲（Alida Valli 阿莉達(dá)?瓦莉 飾）偽裝克莉絲汀失蹤、死亡的假象，暗中誘拐與女兒年齡相仿的女性，將其麻醉后剝掉面皮，移植到克莉絲汀臉上?！ 〉中g(shù)接連失敗，犧牲者也不斷增加。親眼所見(jiàn)諸多同齡女孩慘遭殺害，克莉絲汀心中痛苦不已。另一方面，眾多女孩失蹤的案件也引起了警方的注意，他們逐漸將目標(biāo)鎖在瘋狂的詹尼西爾身上……
甜心老爸
布倫特·貝利,邁克爾·錢(qián)德勒,Benjamin Easterday,Wendell Kinney,Jamaal Lewis,肯尼斯·米勒,凱西·奧凱菲,瑞克·奧托,Anthony Richard Pagliaro,Jim Poole,奧布雷·雷諾茲,埃利斯·羅伯特森大學(xué)畢業(yè)后，Bridget和她最好的朋友Lindsay搬到了一個(gè)新的城鎮(zhèn)。她得到了一份擔(dān)任Anthony Gloss行政助理的工作，但她很快發(fā)現(xiàn)，奢侈的生活可能會(huì)付出致命的代價(jià)。
全面開(kāi)戰(zhàn)：兄弟會(huì)
納魯納·科斯塔,Camilla Dami?o,大衛(wèi)·桑托斯,艾爾茲奧·維埃拉,Enio Cavalcante,艾米拉·蓋德斯,Lee Taylor,馬西莉亞·卡爾塔舒,塞烏·喬奇,史蒂法尼·莫塔,Samurai Cria在恐懼狀態(tài)下，兄弟會(huì)成員面臨著一個(gè)關(guān)鍵時(shí)刻，他們的主要領(lǐng)導(dǎo)人被轉(zhuǎn)移到最高安全級(jí)別的監(jiān)獄，威脅著該組織的穩(wěn)定。Elisa（Camilla Dami?o飾）是兄弟會(huì)創(chuàng)始人Edson（Seu Jorge飾）的18歲女兒，在犯罪邊緣長(zhǎng)大，被腐敗的警察綁架。當(dāng)她的阿姨克里斯蒂娜（納魯娜·科斯塔飾）試圖營(yíng)救她時(shí)，該團(tuán)伙下令進(jìn)入“恐懼狀態(tài)”，對(duì)警察局和安全部隊(duì)發(fā)動(dòng)一波暴力襲擊，使圣保羅市陷入混亂。在動(dòng)蕩之中，Elisa和Cristina努力應(yīng)對(duì)正義和暴力的困境，因?yàn)檫^(guò)去和現(xiàn)在的選擇相互碰撞，塑造了他們的命運(yùn)。