快樂的波波
艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuanA few years before he went on to make a big splash in the cannibal sub-genre, Ruggero Deodato directed this successful rip-off of Roman Polanski's brilliant Knife in the Water. Naturally, being an Italian film - there's more of a focus on sex than the relationship between the central couples, but the claustrophobic atmosphere and entertaining characters help to keep the tension... (展開全部) A few years before he went on to make a big splash in the cannibal sub-genre, Ruggero Deodato directed this successful rip-off of Roman Polanski's brilliant Knife in the Water. Naturally, being an Italian film - there's more of a focus on sex than the relationship between the central couples, but the claustrophobic atmosphere and entertaining characters help to keep the tension bubbling over, which ensures that the movie is interesting for the duration. The film doesn't have nearly as much 'bite' as Cannibal Holocaust and most of the rest of Ruggero Deodato's filmography, but it's obvious that even with this early film; Deodato is a director with the potential to make a mark on cinema. The plot is simple in that it just focuses on two couples. George and Silvia invite Irem and Barbara for a weekend cruise on their yacht. It soon transpires that George isn't the most sensitive man to ever live, and Silvia doesn't seem to mind him treating her badly. The situation escalates, and Irem and Barbara join forces with Silvia for vengeance against George...and three way sex, of course.
在線播放
劇情簡(jiǎn)介
艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuanA few years before he went on to make a big splash in the cannibal sub-genre, Ruggero Deodato directed this successful rip-off of Roman Polanski's brilliant Knife in the Water. Naturally, being an Italian film - there's more of a focus on sex than the relationship between the central couples, but the claustrophobic atmosphere and entertaining characters help to keep the tension... (展開全部) A few years before he went on to make a big splash in the cannibal sub-genre, Ruggero Deodato directed this successful rip-off of Roman Polanski's brilliant Knife in the Water. Naturally, being an Italian film - there's more of a focus on sex than the relationship between the central couples, but the claustrophobic atmosphere and entertaining characters help to keep the tension bubbling over, which ensures that the movie is interesting for the duration. The film doesn't have nearly as much 'bite' as Cannibal Holocaust and most of the rest of Ruggero Deodato's filmography, but it's obvious that even with this early film; Deodato is a director with the potential to make a mark on cinema. The plot is simple in that it just focuses on two couples. George and Silvia invite Irem and Barbara for a weekend cruise on their yacht. It soon transpires that George isn't the most sensitive man to ever live, and Silvia doesn't seem to mind him treating her badly. The situation escalates, and Irem and Barbara join forces with Silvia for vengeance against George...and three way sex, of course.
導(dǎo)演精選
像我這樣的愛情
我們這樣，是愛嗎？阿妹天生患有腦性麻痹，性格卻異常跳脫樂觀，閑時(shí)會(huì)約朋友踩板吹水，畫畫作樂，二十多年來(lái)一直努力不被身體耽誤。可是過度保護(hù)的母親堅(jiān)決安排她進(jìn)行子宮切除手術(shù)，阿妹努力建立的生活再次失去平衡，她的身體永遠(yuǎn)是不由自主的。在朋友推薦下，阿妹找到了一個(gè)專為殘疾人士提供性服務(wù)的自發(fā)組織，并認(rèn)識(shí)了義工Ken。這無(wú)私的相遇仿佛撫慰了兩個(gè)受傷的靈魂，那日漸累積的情愫沖淡了道德與身體的羈絆，這樣的關(guān)系，是愛嗎？ 譚惠貞繼《以青春的名義》（第14屆開幕電影）后第二部長(zhǎng)片作品，將愛情元素和身障者性權(quán)益議題融合，成就一個(gè)道德探索與自我尋找的故事。
三個(gè)神探與喀爾巴阡之犬
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荒村怪談
規(guī)則怪談！鬼村見鬼！千年荒村自古有＂人鬼相處規(guī)則＂。青年男女結(jié)伴夜闖陰山鬼林，破壞規(guī)則，導(dǎo)致鬼靈還魂，鬼嘯瘆人，鬼影駭人，鬼殺奪命！一個(gè)美艷女子突然被鬼現(xiàn)鎖喉，另一個(gè)精壯青年又被鬼爪掏心……陰風(fēng)陣陣，尖叫四起，一場(chǎng)排隊(duì)送人頭的祭獻(xiàn)大戲陰森上演，生者想死無(wú)門，卻又無(wú)處可逃！究竟是千年的冤魂沖破魔咒到人間索血啜飲？還是古老地獄中逃出的怪獸掠殺食人？土匪也驚恐逃亡，獵手也慌不擇路！夜半的茅草屋，怪叫撕心裂肺，鬼臉貼窗凝望，野鬼BOSS終將現(xiàn)行，終極＂規(guī)則絕殺＂如期而至！眾人早已靈魂出竅，一具具行尸走肉又將如何戰(zhàn)栗？