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劇情提要
拳擊教練的故事,練著練著就幹嘛呢了?第一個女主有點胖嘿嘿。
暗夜精選
外星精神病
Steve Baran,Jackson Berlin,Lee Tomaschefski還魂之迷失曼谷
范逸臣,李昕蕓,李媛,雪村偶像活動!×美妙天堂 THE MOVIE -相遇的奇跡!-
下地紫野,茜屋日海夏致命錄像帶3:病毒
Carrie Keagan,Justin Welborn,杰西卡·盧扎,蘭迪·麥克道維爾,Emilia Zoryan,Emmy Argo,Michael Aaron Milligan奪魂醫生
Andrew Prine,Jason London,Carlos Lauchu謊言與偷竊
艾米麗·拉塔科斯基,西奧·詹姆斯,弗雷德·邁拉麥德,艾邦·摩斯-巴克拉赫,小伊塞亞·維特洛克,伊萬·漢德勒,約翰·蓋汀斯殺手護士
米婭·查利斯,喬內塔·凱澤,羅布·梅耶斯同系列推薦
旁觀者2025
陳坤,王硯輝,劉敏濤,容中爾甲,安澤豪,陳依莎,單禹豪,王勁松,陸玲,王雯那,姜穎函宇宙之門
迪安娜·羅素,尼爾·霍普金斯,托勒密·斯洛克姆,格雷琴·洛奇,基思·赫德森,娜塔莎·戈特,喬治娜·布萊克利奇,Michele Weaver,Clint Jung,Paul McCarthy-Boyington,Salvita Decorte,Shellye Broughton,Danielle Lewis,Phet Mahathongdy,Albert A. Vega藍鷺
Eylul Guven,艾米·齊默,Iringó Réti,埃迪克·貝多斯,ádám Tompa,Liam Serg,Preston Drabble,露西·特恩布爾,Jecca Beauchamp,Georgia Blake約定2024
片岡千之助,北香那,望海風斗,山口紗彌加,春海四方,藤田朋子,淺野和之,余貴美子,武田鐵矢,風吹淳,橋爪功北京猿人
緒形直人,王祖賢,哀川翔,丹波哲郎,坂上忍,小野賢章透明人與蠅男
北原義郎,品川隆二,葉順子,毛利郁子,南部彰三,見明凡太朗幕后花絮
天空嶺殺人事件
《天空嶺殺人事件》是2013年12月05日,徐康俊和文素利主演的一集電視劇。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster