白波瀬海來 あなたに見せたい日焼け跡

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

搶錢大作戰

　　19歲的少年賽斯·戴維斯（吉奧瓦尼·瑞比西 Giovanni Ribisi飾）一心希望能盡快淘到自己的第一桶金，好讓父親另眼相看。他本打算靠玩非法紙牌起家，卻發現此路根本行不通，直到一家名為J.T.馬林經紀公司的股票經紀商找上了賽維斯。　　在這個號稱“鍋爐房”的核心辦公室里，多少個一夜間成為百萬富翁的故事深深誘惑著賽維斯。很快，野心勃勃的賽維斯便以優異的成績通過了股票經濟人認證考試，開始了他的“成功之路”。他把那些永遠都沒有前途的股票賣給利欲熏心的投資者。賽維斯正以極危險的速度追逐著金錢與利益，靠近著他所謂的功成名就，貪婪而不安。在紐約長島這個瞬息萬變的商業圈里，良心未泯的賽維斯終于開始面對良心的考驗。

我的曼啊：2025圣誕特別篇

公寓管理員

　　Saban Films拿下方·基默、帕特里克·約翰·弗魯格(《芝加哥警署》)主演影片[公寓管理員](The Super，暫譯)北美發行權。導演施特凡·里克([月之陰面])，編劇約翰·J·麥克勞克林([黑天鵝])，故事圍繞一位公寓管理員調查紐約一棟豪華公寓住客失蹤案展開。迪克·沃爾夫(《法律與秩序》)擔任制片。

弗拉維亞

 1951年，英國鄉村邊緣，德盧斯家族的莊園已在歲月中斑駁頹敗。11歲的弗拉維亞·德盧斯，是家族里最離經叛道的孩子——她癡迷化學，尤其精通毒藥，更有著超越年齡的偵探天賦。當一具陌生尸體出現在莊園的庭院中，她的父親哈維蘭上校成了警方的頭號嫌疑人。為了洗刷父親的冤屈，弗拉維亞拿起放大鏡與化學試劑，在老宅的藏書室、實驗室與莊園的隱秘角落中展開調查。她周旋于警探、古怪的家族成員與小鎮居民之間，在層層迷霧中探尋真相，而隨著調查深入，她也逐漸揭開了家族隱藏多年的秘密。

TOKYOMER～移動的急救室～南海任務電影版

2025年，在鹿兒島縣與沖繩縣，搭載著配備手術室的特種車輛的渡輪已開始進行試運行。赴任的喜多見與夏梅在離島從事醫療工作。某日，鹿兒島縣的諏訪之瀨島發生火山噴發，為營救島民，他們毅然挑戰這項九死一生的任務。

馬拉加街夕陽紅

79歲的西班牙女子瑪麗亞·安赫萊斯獨自生活在摩洛哥的丹吉爾，享受著自己的日常生活。然而，當她女兒從馬德里趕來，想要賣掉她一直居住的公寓時，她的生活徹底被打亂了。決心留下來的她，竭盡所能想要奪回自己的家與財物，卻意外重拾了愛情與感官的愉悅。