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血愛殺手
平采娜·樂維瑟派布恩,塔納波·里拉塔納卡鄒,西瓦功·阿達蘇提坤飛越瘋人院
杰克·尼科爾森,路易絲·弗萊徹,威廉·雷德菲爾德,克里斯托弗·洛伊德,威爾·薩姆森,特德·馬克蘭德,布拉德·道里夫,斯加特曼·克羅索斯,邁克爾·貝里曼,彼得·布羅科,穆瓦科·卡姆布卡,威廉·達爾,喬西普·艾利克,西德尼·拉斯克,凱·李,德懷特·馬費爾德,路易莎·莫里茨,丹尼·德維托,菲利普·羅斯,米米·薩奇席恩,文森特·斯卡維利,米斯·斯馬爾,德羅斯·V·史密斯羅伯特玩偶的復仇
Lee Bane,Harriet Rees,Judith Haley尋秦記電影版
古天樂 , 林峯 , 宣萱 , 郭羨妮 , 滕麗名 , 白百何 , 苗僑偉 , 張繼聰 , 朱鑒然 , 吳樾 , 洪天明 , 高戰 , 鄧一君 , 廖啟智 , 歐瑞偉 , 陳國邦 , 黃文標 , 蔡一智 , 廖子妤 , 鄭雪兒 , 徐偉棟 , 洪天照長夜將盡2025
萬茜,饒曉志,屈楚蕭,黃小蕾,趙梓沖,孫慶昌,國義騫,歐劍宇,廖擬,趙成順,任杰,鐘遠林,鄧鋼,劉軍,徐千千,麻明新·胡鬧將軍
松平健,西畑大吾,生瀨勝久,高島禮子,藤間爽子,小澤征悅,勝村政信,小野武彥,木村了,駒木根葵汰,內藤秀一郎,神威樂斗同類推薦
克里斯托弗系列
伊恩·麥克萊恩,米凱拉·科爾,杰西卡·古寧,詹姆斯·柯登,Dmitri Prokopiev,Tilly Botsford,丹尼爾·弗恩,Lucy McCormick,Le Fil,達拉斯·坎貝爾,Ferdy Roberts,斯圖爾特·庫克一個著名老藝術家那關系疏遠的親戚向一個苦苦掙扎的年輕藝術家尋求幫助,要去竊取老者未做完的作品并將其完成。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
挫敗的人生劫案
凱瑞·克勞利,布里德·布倫南,Eva-Jane Gaffney,肖恩·T·O·米爾萊,Marcus Lamb,阿特·帕金森,Naseen Morgan,Niall Mac Eachmharcaigh,Brid Ní Chumhaill,Christopher Grant,Eoghan Mac Giolla Bhrighde是被過去塑造的囚徒,還是自我命運的締造者?故事以搶劫失敗后的悲劇開場。一位瀕臨崩潰的偏執女子,帶領兩名同伙搶劫了愛爾蘭農村信用社,但計劃漏洞百出。事態不斷失控,隨著時光倒流,那些無法逃離的記憶如同鎖鏈,不僅將她們拖入深淵,更將身邊人卷入致命漩渦。
遇事別沖動
鹿超,宋杰,宋媛一塊寶地遭人惦記、一枚軍功章引賊來、十萬現金不翼而飛,夜半老漢離奇昏迷,三名陌生男子橫躺家中。是陰謀?是誤會?層層烏龍背后,深藏的是榮譽執念與親情渴望。當真相揭開,一切竟源于最樸素的執念與最陰差陽錯的誤會……榮譽與親情,最終將如何安放?
包寶寶
丹尼爾·凱林,辛迪·勞畫面開始,一雙豐滿的手靈巧地揉面、按記兒、搟皮兒、包包子。沒過一會兒,一籠白白凈凈又饞人的包子就做得了。相貌平平的女主人推開廚房的窗戶,短暫的歇息。稍后,包子蒸熟,女主人端著它來到餐桌前。此時,她的老公已經起床,正目不轉睛地盯著電視的新聞。而他看了表后狼吞虎咽,便匆匆上班去了。失落的女主人拿起最后一個包子,可剛一張嘴包子便大哭了起來。不知為何包子有了生命,而倍感孤獨的女主人格外開心,于是將包寶寶當做自己的孩子撫養。小包子一天天長大,他起初和女主人分外親近,但是他漸漸有了自己的個性,渴望獨立,渴望遠行……本片是《超人總動員2》的貼片短片,榮獲奧斯卡電影金像獎最佳動畫短片獎。