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妃子笑
蕭正楠,黃婉伶,黃婉君,陳逸寧,戴夢夢,朱咪咪,李兆基,江欣燕,梅小惠,謝雪心,楊羚,李思捷,王嘉明我的曼啊:2025圣誕特別篇
露茜·彭奇,喬安娜·拉姆利,菲利帕·鄧恩嘔吐戈?duì)枺簹⒙?/h3>
治療尸
陳郡君,張立昂,蔡子,陳沛興,鐘麗芬,劉芷希玩具熊的五夜后宮:紫色的淚
Bomber Hurley Smith斷魂小丑3
杰森·帕特里克,丹尼爾·洛巴克,大衛(wèi)·霍華德·桑頓,勞倫·拉維拉,拜斯·約翰遜,布拉德利·斯泰克爾,克里斯·杰里科,薩曼莎·斯卡菲迪,瑪格麗特·安妮·佛羅倫斯,埃利奧特·富勒姆,亞歷克薩·布萊爾·羅伯遜,Antonella Rose,克里斯·福克斯,夏洛特·麥基,西耶娜·休伯特-羅斯,奇普·卡里爾,盧西亞娜·凡德特,Annie Lederman,Kellen Raffaelo,安妮·萊德曼同類推薦
靈菁傳
胡悅,龔小鈞,孟璐,何聰睿,吳驍栩,曾語喬前世將軍養(yǎng)女與兄長因禁忌之戀生死相離,今生化身白蛇與姐妹游戲人間,卻愛上舊人之子,在宿命糾葛下開啟極致人妖虐戀。
三毛從軍記1992
賈林,魏宗萬,孫飛虎,朱藝,李穎三毛(賈林 Jia Lin 飾)從來就是銀幕上喜劇人物。這次,三毛從軍了。抗日戰(zhàn)爭全面爆發(fā)了,無所事事的三毛一心想著為國立功,加入了軍隊(duì)。不料,新兵訓(xùn)練的時(shí)候就笑話百出。手榴彈實(shí)彈投擲訓(xùn)練時(shí),三毛一不小心就將手榴彈投到了戰(zhàn)壕里,搞得全軍上下一片烏黑。稀里糊涂的三毛隨后參加了一支敢死隊(duì),笑話百出的他和隊(duì)友們竟一股全殲了敵軍。 抗敵有功,三毛高升到后勤部,不用再上戰(zhàn)場了,卻成了師長姨太太的跟班。整天被使喚也鬧了不少笑話。不料兵敗師長自殺,三毛又重投兵營。一次執(zhí)行空降任務(wù)時(shí),三毛和以前的知心戰(zhàn)友遭到伏擊,大難不死卻落入深山。一等就等到了抗戰(zhàn)結(jié)束,三毛和戰(zhàn)友早已成了野人。
終歸為塵
安吉拉·莫利納,阿爾佛萊德·卡斯特羅,莫妮卡·阿爾米拉爾,Patrícia Bargalló,Alván Prado,Manuela Biedermann,Emma Corbacho,Pol Garibaldi Gris,Nicolás Fuentes,Vito Pietroburgo,Irene Ta,Valeria Scheilen,Aleix Plademunt,Lissy Pernthaler,Silvan Luley,Lorena Nogal,Shay Partush,Oriol Genís,M在被診斷出患有絕癥后,克萊爾決定進(jìn)行最后一次旅行,前往瑞士。在那里,她可以在一家協(xié)助自殺協(xié)會(huì)的幫助下決定如何以及何時(shí)結(jié)束自己的生命。陪伴她超過四十年的查洛決定與她一同踏上這段單程之旅。與此同時(shí),摩根娜在父母之間以及他們即將離開的所有事物之間成為了一個(gè)不情愿的調(diào)解人,同時(shí)也在努力尋找自己在這個(gè)故事中的位置。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
喚醒殺手
夏恩·韋斯特,萊絲莉·比伯,馬特·克拉文影片講述了哈維無意中發(fā)現(xiàn)了多年前連環(huán)殺手十二宮自拍的殺人錄像,他聯(lián)系好友決定報(bào)警并平分十萬美金的懸賞,不料當(dāng)夜殺手便將他們盯上,一場屠殺即將開始。