弓
在一望無(wú)際的大海上有兩艘漁船,主人是一位年過(guò)花甲的老人(全訟挽飾),他依靠?jī)伤掖\生,陸上的人們來(lái)這邊釣魚(yú)或看風(fēng)bbb。老人和一位少女(韓業(yè)云飾)一起生活,她是10年前老人在岸上撿到的,此后少女再?zèng)]有上過(guò)陸地。老人等著少女年滿(mǎn)17歲時(shí)就會(huì)與之結(jié)婚。 來(lái)釣魚(yú)的男人們經(jīng)常想占女孩的便宜,老人為保護(hù)女孩不得不用利箭來(lái)警示對(duì)方。一天,和父親一起來(lái)釣魚(yú)的大學(xué)生(徐智錫飾)在船上為神秘的少女所吸引。老人覺(jué)得事情不妙,每天監(jiān)視少女并不允許她靠近大學(xué)生,而16歲的少女也逐漸對(duì)外面的事物產(chǎn)生好奇。大學(xué)生得知女孩兒將要和老人結(jié)婚,就決定帶上少女逃到陸地……
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劇情提要
在一望無(wú)際的大海上有兩艘漁船,主人是一位年過(guò)花甲的老人(全訟挽飾),他依靠?jī)伤掖\生,陸上的人們來(lái)這邊釣魚(yú)或看風(fēng)bbb。老人和一位少女(韓業(yè)云飾)一起生活,她是10年前老人在岸上撿到的,此后少女再?zèng)]有上過(guò)陸地。老人等著少女年滿(mǎn)17歲時(shí)就會(huì)與之結(jié)婚。 來(lái)釣魚(yú)的男人們經(jīng)常想占女孩的便宜,老人為保護(hù)女孩不得不用利箭來(lái)警示對(duì)方。一天,和父親一起來(lái)釣魚(yú)的大學(xué)生(徐智錫飾)在船上為神秘的少女所吸引。老人覺(jué)得事情不妙,每天監(jiān)視少女并不允許她靠近大學(xué)生,而16歲的少女也逐漸對(duì)外面的事物產(chǎn)生好奇。大學(xué)生得知女孩兒將要和老人結(jié)婚,就決定帶上少女逃到陸地……
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
鉆石般的她
「人可生如蟻而美如神」:一班裁制亮麗戲服的中年裁縫慨嘆自己生如蟻,一名奧斯卡導(dǎo)演拍出她們美如神的生命。導(dǎo)演邀約一眾他熱愛(ài)的演員,重塑一家高級(jí)裁縫工作室色彩斑斕、五味集陳的過(guò)往,追憶70年代一班堅(jiān)毅溫柔的女裁縫的故事:表面盛勢(shì)凌人卻細(xì)膩體貼的老板、善良卻抑郁的妹妹拍檔、單純的寡婦和她的小兒子、偏愛(ài)小鮮肉的姨姨、被家暴的妻子、昔日美艷的舞者、逃避通緝的少女??一群日常女子拋開(kāi)小我、互相照顧,照亮平凡生活中超越自我的不平凡,展現(xiàn)她們的獨(dú)立、愛(ài)欲、掙扎和力量。意大利金像獎(jiǎng)觀眾人次最高獎(jiǎng)意大利銀絲帶獎(jiǎng)年度電影