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一個(gè)手忙腳亂的父親(莫羅尼 飾)購買了一個(gè)家政服務(wù)機(jī)器人(福克斯 飾)來幫忙打理家務(wù)、照顧家人,然而隨著機(jī)器人的意識覺醒,一家人反而陷入了危機(jī)之中……
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
一晃十年過去,地球人和蟲族的戰(zhàn)爭如火如荼,愈演愈烈。某日,空軍元帥奧瑪?阿諾克(斯蒂芬?霍根 Stephen Hogan 飾)來地球人的遠(yuǎn)方農(nóng)場羅庫山視察,時(shí)任上校的強(qiáng)尼?瑞克(加斯帕?范?迪恩 Casper Van Dien 飾)也一同前來。在此期間,阿諾克的心智被蟲王操控,他切斷了隔離區(qū)的電力,使基地完全失去保護(hù)。是夜,蟲族對隔離區(qū)發(fā)動總攻,地球軍雖頑強(qiáng)抵抗,終因寡不敵眾而告敗,基地陷落。阿諾克則和一干心腹逃離,飛船迫降在OM-1行星。 瑞克因失職被軍事法庭判處絞刑,行刑之際被政府秘密部門救下。阿諾克知曉聯(lián)邦艦隊(duì)基地所在地的秘密,一旦被蟲族得知將不堪設(shè)想。因此政府高層要求瑞克帶上一隊(duì)人馬,前去營救受困的阿諾克……
室生犀星名作