影片推薦
男孩、鼴鼠、狐貍和馬
湯姆·霍蘭德爾,伊德瑞斯·艾爾巴,加布里埃爾·伯恩,裘德·科沃德·尼科爾月球
薛景求,都敬秀,金喜愛,趙漢哲,崔炳模,Byeong-eun Park,洪承熙,趙勝淵,Gina Theresa Williamson,Laura Fitch Yang,Shim Young-Eun陰目偵信
梁業,何啟華,郭嘉駿,吳保锜,周家怡,葛民輝,太保,羅永昌,張達倫,譚旻萱光榮何價
大衛·卡拉丁,Ronny Cox,蘭迪·奎德,梅林達·狄龍人肉農場
諾拉·葉莎耶,Alec Gaylord,Ken Volok,Rob Tisdale,Kelly Mis,David Air,Julie Meghan Brown,Gael Carrion,Jola Cora,Sandra Cruze,Rishi Das,Hollywood Lee DuPree,Catherine Farion,Giovanni Savoia Giò,Ryan Grindstaff總統的蛋糕
Banin Ahmad Nayef,Sajad Mohamad Qasem,Waheed Thabet Khreibat,Rahim AlHaj同類精選
分享鎮
達科塔·約翰遜,阿德里婭·阿霍納,凱爾·馬文,邁克爾·安蓋洛·科維諾,西蒙·韋伯斯特,查理·吉爾萊斯皮爾,大衛·卡斯塔尼達,O·T·法格本,娜赫瑪·里琪,蒂龍·本斯金,尼可拉斯·博朗,萊奧·亨尼利,羅賓·吉倫,利蒂希婭·布魯克斯,泰勒·豪爾,艾米麗·歐康納,盧克·麥克菲爾,讓-克勞德·莫萊斯,賈·旁,杰西卡·馬圖琳,斯蒂芬·阿德科魯,尼古拉斯·波舍爾白天是阿波羅,晚上是雅典娜
吉澤姆·比爾根,梅利·杜澤恩利,巴里斯·戈內嫩,內拉·卡亞巴西,拉爾·曼蘇爾,德尼斯·圖爾卡利,塞倫·烏柴爾,埃茲吉·切利克丹鳳眼
陳虹妤,麥肯娜·格瑞絲,麥特里伊·拉瑪克里斯南,鄔君梅,阿梅莉·齊爾伯,杜方,伊蓮·亨德里克斯,梅根·海耶斯,克里斯汀·崔,夏洛特·安·塔克,布里頓·韋伯,Callie McClincy,Scott Deal,薩拉·科普金,R.基斯·哈里斯,喬納森·D·威廉斯,馬龍·托馬斯,伊麗莎白·潘,Cecelia Specht,Katy Wilson,馬克·德米特照亮黑暗
Aamani,Esha Chawla,占西,Vishwadev Rachakonda感染她嘴唇的欲望2025
鵜川もえか,渡邉結衣,原田英里佳,新嘉喜由芽別走
斯蒂芬·多爾夫,梅利莎·喬治,西蒙·德蘭尼,加文·歐康諾,萊勒·羅迪,肖恩·馬洪,Aoibhinn McGinnity,Grace Farrel,Des Cave,Luke Griffin,夏洛特·布拉德利,Laurence O'Fuarain,Sahar Ali,Ella Connolly,Grainne Coyne影視排行
懸案密碼2:野雞殺手
尼古拉·雷·卡斯,法瑞斯·法瑞斯,莎拉-索菲·波斯妮娜,Beate Bille幾十年前,一對年幼的兄妹在自家的小屋里慘遭殺害,唯一可能犯案的,是當時在那里度假的寄宿學生,然而,因為證據不足,最終這群學生們未能被定罪,小屋案成為了未破的懸案,而當年負責此案件的警探卡爾(尼古拉·雷·卡斯 Nikolaj Lie Kaas 飾)也因此一蹶不振,這宗疑點重重的案件成為了他的一塊心病。 一晃眼幾十年過去,當年的寄宿學生們已經長大成人,活躍在上流社會之中,雖然他們衣冠楚楚風度翩翩,但實際上,他們扭曲的心靈早就令這些人成為了野獸,唯有在殺戮中才能獲得快感。當卡爾重拾曾經的懸案之時,危險也在一步一步的接近著他和他的家人們。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
心靈與智慧
德懷特·戴維·艾森豪威爾,William Marshall,喬治·皮杜爾本片是由哥倫比亞電影公司出資委任電視紀錄片導演皮特?戴維斯(Peter Davis)拍攝的一部探討美國為何在1959-1975年期間發動對越戰爭,越南人民的悲慘遭遇,以及美國人民對越戰態度轉變的紀錄片。這是美國本土首次放映直接采訪刻畫越南平民慘境的影片,片中多次表現了美軍將領的種族主義和美國政府對國內人民的無恥欺騙。電影于1974年在法國嘎納電影節首映,隨即便因內容的嚴重爭議性被哥倫比亞公司擱置。制片人波特?施耐德(Bert Schneider)與亨利?蘭格(Henry Lange)向哥倫比亞公司買回了版權,并終于1975年通過華納公司在美國公映。本片獲1974年奧斯卡最佳紀錄片獎,并被提名同年金球獎最佳紀錄片。
調味的房子
西恩·帕特維,安娜·沃爾頓,羅希·戴,凱文 霍華斯,杰瑪·鮑威爾,丹尼爾·維維安,阿德里安·布薛特,Christopher Rithin,肖恩·克羅寧20世紀末,波黑戰火籠罩的巴爾干地區。聾啞少女安吉爾(羅茜·戴伊 Rosie Day 飾)目睹了親人鄰居被武裝分子殘忍殺害的一幕,在此之后她也失去自由,與數名同齡女孩被擄至暴徒維克托(凱文·霍華斯 Kevin Howarth 飾)所盤踞的地獄之所。女孩們被迫淪為性奴,飽受摧殘與折磨,生命卑微有如在暴風雨中搖曳的燭火。身處無聲世界的安吉爾似乎得到上天微薄的憐惜,她每天的工作便是穿梭于各個房間,為女孩們擦拭血跡,注射藥物,緩解疼痛,小小年紀卻見識了人世間最殘酷的景象。慘無人道且防守嚴密的人間煉獄,安吉爾決定帶著姐妹們逃出生天。當殺母仇人格倫突然來到此地,一切走向失控的邊緣…… 本片榮獲2013年葡萄牙國際奇幻電影節影評人選擇獎。