攝影師讓他饑渴的妻子入睡

? 5.7 播放:54萬 2026-05-25
主演: 未知/

善珠曾經(jīng)是模特界頗有前途的模特,在鼎盛時(shí)期與現(xiàn)任丈夫結(jié)婚,退出模特界,過著普通家庭主婦的生活。丈夫非常愛他的妻子,她是一位成功的模特,以至于他和她沒有太多的親密關(guān)系。因?yàn)檫@個(gè)問題,善珠對(duì)他無聊的日常生活和缺乏性生活感到不滿。一位攝影師在街上偶然遇見了她。正擔(dān)心沒有拍照靈感的藝術(shù)家,看到路過的船主,不知不覺地按下了快門……生活平淡的她在攝影師的建議下走進(jìn)了攝影棚,他們兩個(gè)開始了自己的工作。作者的女朋友偷偷地看著這一幕,并去看望她的丈夫……

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劇情提要

善珠曾經(jīng)是模特界頗有前途的模特,在鼎盛時(shí)期與現(xiàn)任丈夫結(jié)婚,退出模特界,過著普通家庭主婦的生活。丈夫非常愛他的妻子,她是一位成功的模特,以至于他和她沒有太多的親密關(guān)系。因?yàn)檫@個(gè)問題,善珠對(duì)他無聊的日常生活和缺乏性生活感到不滿。一位攝影師在街上偶然遇見了她。正擔(dān)心沒有拍照靈感的藝術(shù)家,看到路過的船主,不知不覺地按下了快門……生活平淡的她在攝影師的建議下走進(jìn)了攝影棚,他們兩個(gè)開始了自己的工作。作者的女朋友偷偷地看著這一幕,并去看望她的丈夫……

幕后花絮

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

賭俠大戰(zhàn)拉斯維加斯

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