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致命玩笑
海耶斯·麥克阿瑟,杰西卡·麥克娜美,基爾·奧唐納一對兄弟姐妹在一家偏僻的汽車旅館里度過了一個可怕的惡作劇之夜。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
百日孤獨
伊萬·瑞恩,安德烈·赫尼克,雷納·沃納,佐伊·格萊斯戴爾,尼爾斯-布魯諾·施密特,蒂姆·威廉姆斯,克里斯蒂安·帕斯奎雷羅外星人侵占了地球，人們被迫逃到地底下的巨型地堡避難。S.U.M.1是一個忠誠的戰士，他被送到地面上來拯救幸存者并每天匯報情況。他的任務就是守衛人類的自我防御區不讓外星人靠近，然而這每天的例行任務卻逐漸成為他的噩夢，令人恐懼的聲音在樹林里回蕩；基地每日都受到頻繁的攻擊；塔內的電力供應出現故障；修理工卻遲遲不出現。他的上司也從未告訴過他有關上一任的事。孤獨感與妄想癥慢慢侵蝕了他的理智。難道外星人真的埋伏在森林里嗎？還是S.U.M.1已經被折磨到精神錯亂了？
瘋狂丑小鴨2靠譜英雄
丑小鴨成功拯救鳥類王國后回到了鴨子農場，在那里他受到了英雄般的待遇，丑小鴨也開始沉迷于這種明星的光環。 另一邊鳥類王國中一場不知名的瘟疫蔓延開來，不少鳥兒都染病不起，天鵝議員們派人前去尋求卡爾騎士的幫助，正巧卡爾騎士意外受傷，只能讓丑小鴨去查明原因，可沒想到在看到瘟疫慘狀時，丑小鴨情緒崩潰害怕的逃走了，眾人對丑小鴨失望透頂。 逃走的丑小鴨也陷入深深的自責中，他終于重新振作起來，決定和丑小八一起找出病因，卻沒想到被暗中潛伏的加瓦埋伏，奪走了他的力量，還將他困在了枯井之中，在井內，丑小鴨找到生機，見到了鳥類神秘的古代遺跡，也揭開加瓦的秘密。危機時刻，丑小鴨及時趕到激活琉璃鳥之光，再次拯救了鳥類王國。
包寶寶
丹尼爾·凱林,辛迪·勞畫面開始，一雙豐滿的手靈巧地揉面、按記兒、搟皮兒、包包子。沒過一會兒，一籠白白凈凈又饞人的包子就做得了。相貌平平的女主人推開廚房的窗戶，短暫的歇息。稍后，包子蒸熟，女主人端著它來到餐桌前。此時，她的老公已經起床，正目不轉睛地盯著電視的新聞。而他看了表后狼吞虎咽，便匆匆上班去了。失落的女主人拿起最后一個包子，可剛一張嘴包子便大哭了起來。不知為何包子有了生命，而倍感孤獨的女主人格外開心，于是將包寶寶當做自己的孩子撫養。小包子一天天長大，他起初和女主人分外親近，但是他漸漸有了自己的個性，渴望獨立，渴望遠行……本片是《超人總動員2》的貼片短片，榮獲奧斯卡電影金像獎最佳動畫短片獎。
137號案件
蕾雅·德呂蓋,帕斯卡·桑格拉,克萊爾·博德森,朱利安·利蒂,佛羅倫斯·維亞拉,海倫·亞歷山德里迪斯,Solan Machado Graner,安東尼婭·布雷西,杰納維夫·馬尼奇,Christian Sinniger,Sandra Colombo,C?me Péronnet,瓦倫丁·坎帕涅,Mathilde Riu,雅尼克·莫澤爾,古斯拉姬·馬蘭達,戈捷·巴圖埃,Laurent Bozzi,亞歷珊德拉·耶爾馬克,斯蒂文·德里森「為什么大家討厭警察？」男孩詢問母親。身為警察的史黛芬妮，負責的卻是警察暴力與失職案件調查。2018年，一名青年隨親友來到巴黎參與街頭抗議，卻因警方開槍，導致永久性腦部損傷。家人提出指控，警方卻矢口否認，關鍵證據亦是不足。內外壓力夾攻之下，史黛芬妮仍奮力調查，調閱攝像頭比對、還原警員動線，越逼近真相之際，同僚的敵意也越發強烈??