愛欲陷阱
組織內(nèi)で殺し屋のトップの座を狙うため、戀人さえも犠牲にする冷酷非道な男が、組織に翻弄され自滅するまでを描く艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan 荒戸源次郎が初めてプロデュースした映畫。日活ロマン?ポルノの1本として、オリジナル題名『朝日のようにさわやかに』が『愛欲の罠』に改題されて公開されたが、以後34年間、“幻の映畫”となっていた作品。殺し屋No.1を目指す男が組織に翻弄される物語は、大和屋監(jiān)督も腳本に參加した鈴木清順監(jiān)督『殺しの烙印』の世界と続いている。
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同款熱播
反叛行動(dòng)
麗茲·格林尼,梅根·布恩,思凱·卡茨,菲利普·文切斯特,阿麗克斯·維拉雷特,Ollie Roddy,Kaine Buffonge,Will Pierson,約納斯·阿姆斯特朗,Errol Trotman-Harewood,Orlin Pavlov,Hristo Mitzkov,馬克斯·克勞斯,Charlotte Weston,Alexsandria Ralev,瑪麗安娜·斯塔尼切娃,內(nèi)森·庫(kù)珀,伊麗莎白·吉布森,丹·凱德,Anaya Yalamov,William Smalley,Todor Todoro一名冷酷且訓(xùn)練有素的殺手，自幼被培養(yǎng)于一個(gè)名為 The Internship 的 CIA 最高機(jī)密項(xiàng)目中。多年后，她決定摧毀這個(gè)奪走自己青春的機(jī)構(gòu)。她召集昔日的“實(shí)習(xí)生”同伴，發(fā)動(dòng)了一場(chǎng)血腥的反抗行動(dòng)——迫使 CIA 動(dòng)用同樣致命的力量來鎮(zhèn)壓他們。
狂鯊風(fēng)暴
菲比·黛內(nèi)芙,杰曼·翰蘇,科斯塔·德安杰洛,馬特·納夫萊,惠特尼·皮克,艾莉拉·布朗,史泰西·克勞森,以利亞·昂格瓦里,安德魯斯·李斯,Amy Mathews,Gemma Dart,Dante Ubaldi,Jon Prasida,Sian Luxford,Sami Afuni,Akosia Sabet,柴·漢森在一場(chǎng)毀滅性的颶風(fēng)中，一個(gè)沿海小鎮(zhèn)正奮力對(duì)抗大自然的憤怒以及鯊魚的襲擊。在傾盆大雨、飛散的殘骸和伸手不見五指的黑暗中，他們團(tuán)結(jié)一心，勇敢面對(duì)致命的掠食者，努力在風(fēng)暴中生存下來。
未死之軀
Dujdao Duangpradab,Amy Siriya厭倦了逼仄臟亂的小公寓，正值青春年少的美麗女孩冰通過網(wǎng)絡(luò)找到一所寬敞闊氣且租金極為便宜的大房子，事不宜遲，她連忙致電屋主預(yù)約時(shí)間，并叫上同公寓好友妮娜隨她一同看房。雖然妮娜對(duì)該房第一印象不佳，卻無法改變冰的決定。不久之后，滿心歡喜的冰搬入新居，誰知從第一天開始便有怪事在身邊發(fā)生。在此之后，種種詭異事件交替發(fā)生，甚至冰的意識(shí)也受到侵襲。擔(dān)心好友的安危，妮娜趕來冰的身邊。 只是恐怖事件并未就此告一段落，仿佛被詛咒了一般，美麗女孩落入充滿玄幻和恐怖氣息的死亡陷阱之中……
羅薩里奧
大衛(wèi)·達(dá)斯馬齊連,何塞·祖尼加,艾米莉亞·福徹,保羅·本-維克托,埃默羅德·圖比亞,尼克·巴拉德,戴安娜·萊茵,Indhira Serrano,盧納·巴克斯特,Guillermo García,康斯坦薩·古鐵雷斯,加瑪爾·迪拉德,Isabella Hoyos,Daniel Abubakar Asema,Juan Camilo Salgado,Don Gellver,Deicy Campos蘿賽李?yuàn)W（埃默羅德·圖比亞 飾）是一名成功的華爾街股票經(jīng)紀(jì)人。某天，蘿賽李?yuàn)W接到祖母意外過世的消息，于是前往祖母居住的公寓查看狀況。因?yàn)楸╋L(fēng)雪的關(guān)系，蘿賽李?yuàn)W被迫與祖母的遺體共度一夜。這時(shí)，一股邪惡力量占據(jù)了祖母的遺體，蘿賽李?yuàn)W成為家族世代流傳詛咒的目標(biāo)……。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
風(fēng)林火山
金城武,劉青云,梁家輝,古天樂,高圓圓,杜德偉,鮑起靜,林俊賢,盧冠廷,姜珮瑤,衛(wèi)詩雅,甘國(guó)亮,盧海鵬,劉永,吳嘉龍,李元霸,任賢齊,夏韶聲,王德順,程?hào)|,狼森,尼克·福特港島雪夜，街頭無差別掃射，血流成河；醫(yī)院爆炸火光沖天，慘叫此起彼伏。 這不是末日，是毒品操控下的城市煉獄。 毒販以毒品掌控城市命脈，殺手為爭(zhēng)奪貨源血洗街頭，警方在陰謀中艱難前行——當(dāng)三方勢(shì)力陷入混戰(zhàn)，最令人窒息的逆轉(zhuǎn)突然降臨：操縱一切的毒販，竟開始全面禁毒？雪夜之下，誰是幕后推手？誰能從這場(chǎng)罪惡風(fēng)暴中全身而退？