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艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan
人氣佳作
宇宙護衛隊：百變流星
李靖,劉妤姻子,劉蕊,姜英俊夏日躁動
Fanta Kebe,希雷爾·納塔夫,艾蜜兒·班特,伊迪爾·阿祖格利,Yuming Hey,蘇贊妮·德芭奎,Zakaria-Tayeb Lazab,Mouctar Diawara,Nicola Bulatovic,Mohamed Dramé,Yassine Mahavita,Aymane Mazit,Djibril Diamoye,Nour Lajiri,Fatoumata Koné,Lilya Jabelmeki,Mariam Diamoye,Cynthia Hounkpati,Zeinab Karam繼女2024
安妮·伊隆澤,Judy Johnson,Blue Kimble,Cassidey Fralin,Neil Wachs巴里·林登
瑞安·奧尼爾,馬里莎·貝倫森,帕特里克·馬基,哈迪·克魯格,史蒂文·伯克夫,蓋伊·漢密爾頓,瑪麗·基恩,黛安娜·科爾納,穆雷·梅爾文,弗蘭克·米德爾馬斯,安德魯·莫瑞爾,戈弗雷·奎格利,雷納德·洛塞特,菲利普·斯通,利昂·維塔利,喬納森·塞西爾,彼得·塞利爾,杰弗里·蔡特,伯納德·赫普頓,巴里·杰克遜,沃爾夫·卡赫勒,漢斯·邁爾,費迪·梅恩,利亞姆·雷德蒙,帕特·羅奇,多米尼克·塞維奇,約翰·夏普導演精選
贖夢
你心底，是否也鎖著一段秘密？ 落魄夜班司機蔡辛強（張家輝 飾）意外結識了心理醫生文思豪（劉俊謙 飾），然而在看似診療的表面底下，卻似乎暗藏著二人相互窺心探秘的審視，目光交鋒間，心魔呼之欲出……一場離奇車禍，一樁滅門慘案，詭異幻影不斷重現，驚悚氛圍下，直指靈魂叩問：你敢直面內心的恐懼嗎？
死亡陰影
1989年，位于賓夕法尼亞州的東部礦區麥諾斯維爾小鎮，年僅6歲的小男孩馬丁·布里斯托爾（蔡斯·佩哈切克 Chase Pechacek 飾）被人綁架。在此后的5年里，馬丁身在何處？又經歷了什么？無人知曉。 1994年的一天，父母雙亡的少女艾莉森·米勒（亞歷珊德拉·達達里奧 Alexandra Daddario 飾）隨叔叔喬納森（邁克爾·比恩 Michael Biehn 飾）搬到麥諾斯維爾居住。這個出身大城市的女孩漸漸適應了這個偏遠鄉間的生活，也結識了帥氣的男孩威廉（諾蘭·吉拉德·范克 Nolan Gerard Funk 飾）。但是新生活的陽光很快退去，那幢廢棄的農舍引起了艾莉森注意。她不知道，失蹤已久的馬丁也在黑暗中注視著他，這個男孩過早地見識了事件最為殘酷與血腥的一面……
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster