同學(xué)的目的
艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan男主雖然已經(jīng)結(jié)婚,但跟老.婆的性.生.活并不性.福,有時(shí)候是自己喝醉酒,老.婆.寂.寞的只能自.慰,有時(shí)候自己想要做.愛,老.婆卻昏昏.欲.睡不滿足自己,男主非常苦惱,決定外出約.炮,但是卻一再失敗,灰心喪氣之時(shí),突然曾經(jīng)的一位漂亮的老同學(xué)主動聯(lián).系上.了.他,男主抱著自己猥.瑣的目的,開始接近這位美.女同學(xué)…
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殺戮元兇:狙擊手
拉斯·米克爾森,雅各布·克德格恩,勞拉·巴赫,拉克·溫特·安德森,佛雷克·米德·諾高,拉斯·蘭特,Peter Pilegaard派對浪客孔明 THE MOVIE
向井理,上白石萌歌,藤岡靛,森山未來,神尾楓珠,詩羽,菅原小春,八木莉可子,宮世琉彌,森崎溫,石野理子,石崎Huwie,和田理生,本間朋晃,真壁刀義,長岡亮介,薔薇園啊嗚,菊地凜子,和田聰宏貓吻:當(dāng)你打開心扉的那一瞬間
吳東旻,???孔雀舞曲
高我星,文相敏,卞約漢六六大順
李孟武,肖軼,安悅溪,王喳喳,黃一飛,井凌瀟,畢童,提愛民繼女2024
安妮·伊隆澤,Judy Johnson,Blue Kimble,Cassidey Fralin,Neil Wachs同類推薦
我愛777
舒淇,天心,譚耀文,楊恭如占士邦(譚耀文 飾)長得一表人才又頗具才干,是廣告行業(yè)內(nèi)出了名的花花公子。因?yàn)閷Ω星槿鄙傩湃危隁q漸長的他依舊保持單身,在內(nèi)心里,他一直希望能夠出現(xiàn)一個(gè)“完美的女人”,捕獲他的真心。 最近,占士邦在工作上遇到了點(diǎn)麻煩,他需要策劃一支啤酒廣告,卻苦于沒有靈感。就在這個(gè)節(jié)骨眼上,仿佛是上天賜給他的禮物,一個(gè)神秘的女子茱莉亞(舒淇 飾)出現(xiàn)在了占士邦的生活之中,只是,當(dāng)占士邦開始注意到茱莉亞之時(shí),她早已經(jīng)消失的無影無蹤。茱莉亞的冷艷與神秘帶給了占士邦靈感,工作上的問題迎刃而解,與此同時(shí),占士邦亦對茱莉亞的真身產(chǎn)生了興趣。
尋龍?jiān)E·覓蹤
張涵予,姜武,盧靖姍,邁克爾·寇特斯,羅恩·斯穆安伯格,安德魯·達(dá)茲,史蒂文·達(dá)茲,馬文·布韋,Simon Shiyamba,Daria Gz,Lorenzo de Moor,Francesca Alice Antonini,Errol Trotman-Harewood,Alejandro Gil Mateos,Lola Dufour故事發(fā)生在20世紀(jì)90年代,講述了本已打算金盆洗手的摸金三人組胡八一(張涵予飾)、王凱旋(姜武飾)、Shirley楊(盧靖姍飾)在大金牙的勸說下又操起老本行,但原本以為只是簡單任務(wù)的他們卻因意外身陷危機(jī),不得不重新踏上兇險(xiǎn)萬分的地下之旅。
勤雜工
大衛(wèi)·斯佩德A couple of border town friends think waiting tables will fix everything, but they're mistaken.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
魔法壞女巫2
辛西婭·埃里沃,愛莉安娜·格蘭德,杰夫·高布倫,楊紫瓊,喬納森·貝利,伊桑·斯萊特,瑪麗莎·博德,彼特·丁拉基,科爾曼·多明戈,亞當(dāng)·詹姆斯,艾米麗·蒂爾尼,艾琳·巴特爾,邁克爾·瓜內(nèi)拉,莎拉-杰恩·里德爾,雅雅·哈姆扎,瑞安·曼,喬爾·斯特恩,利里奧·博阿滕,莉茲·艾森,里卡多·盧德羅·蘇薩,卡勒姆·鮑耶自從艾芙芭(辛西婭·埃里沃 飾)與格琳達(dá)(愛莉安娜·格蘭德 飾)分道揚(yáng)鑣、形同陌路之后,各自承受她們做出的抉擇所帶來的后果。 被冠上“西方壞女巫”惡名的艾芙芭遭到放逐后,隱居在奧茲國樹林深處,但是卻仍然為被噤聲的動物爭取自由而奮斗,并且迫切地想要揭露她所知道關(guān)于奧茲國大巫師(杰夫· 高布倫 飾)的真相。 與此同時(shí),格琳達(dá)已經(jīng)成為奧茲國光鮮亮麗的良善象征,她住在翡翠城皇宮中, 享受她的響亮名聲和超高人氣所帶來的明星光環(huán)與特權(quán)。在莫里貝爾夫人(楊紫瓊 飾)的安排下,格琳達(dá)成為奧茲國人民眼中充滿粉紅泡泡的安撫力量,并且讓他們相信奧茲國在大巫師的統(tǒng)治之下一切都很好。 當(dāng)格琳達(dá)的明星光環(huán)越來越閃亮,她也準(zhǔn)備和費(fèi)耶羅王子(喬納森·貝利 飾)舉行一場盛大的婚禮,但是她卻一直受到她和艾芙芭分開后的陰影所糾纏。她試圖促成艾芙芭與大巫師之間的和解,然而她所有的努力都以失敗告終,使得艾芙芭和格琳達(dá)的關(guān)系越來越疏遠(yuǎn)。她們的關(guān)系決裂所造成的影響,將徹底改變博克(伊森·斯萊特 飾)與費(fèi)耶羅的命運(yùn),也將威脅到艾芙芭的妹妹涅莎蘿絲(瑪麗莎·博德 飾)的安危,而一名來自堪薩斯州的少女也將闖入奧茲國,徹底翻轉(zhuǎn)他們的世界。 當(dāng)一群憤怒的民眾揭竿而起,打算對抗西方壞女巫,格琳達(dá)和艾芙芭就必須最后一次攜手合作。當(dāng)她們的友情成為改變她們未來的關(guān)鍵,她們就必須以真心誠意和無比的同理心真正了解彼此,并且改變自己,也讓整個(gè)奧茲國變得更美好。