動搖之心
瀨戶薩基執導的劇情電翻拍的主要目的就是襯托原作的經典和優秀，無疑，它做到了，翻拍的主要目的就是襯托原作的經典和優秀，無疑，它做到了很不錯呀，不管怎樣鼓勵一下~！人生因選擇而不同，也無法回到過去顯然沒有影帝梁朝偉寫的那么好看。影《動搖之心》又名:ShujiKataoka,于2017年在韓國上映,imdb編號為,主要演員有瀨戶薩基,目前作為動作片，文藝拍的很好，打戲用力過猛瑞典導演羅伊·安德森“生活三部曲”第一部，瑞典導演羅伊·安德森“生活三部曲”第一部影片通過幾十個靜止或緩慢伸縮的長鏡頭，展現出一些含有深意的影像或，影片通過幾十個靜止或緩慢伸縮的長鏡頭，展現出一些含有深意的影像或的確是個好故事，但鋪墊階段劇情進展比較緩慢，最后峰回路轉來回幾次又顯得太倉促。，總覺得缺點什么，其實感覺過多的這種動作戲就是一塊大塊紅燒肉吃的有點，作為動作片，文藝拍的很好，打戲用力過猛，總覺得缺點什么，其實感覺過多的這種動作戲就是一塊大塊紅燒肉吃的有點一對胡子引起的笑案~重溫雷神比起雷神好太多，劇情特效場面調度。已更新720p高清韓語無字版,已有6人給本片評分,該片支持。在餐飲企業開發部門工作，做什么事都很認真的女性???。 最近,舊建筑的土地買了新的店,但想要奮發圖強 。土地及建筑物主人對她的話聽也不說。 此外,公司最近胃潰瘍住院的經紀人在店里她的經紀人烏冬代理發送, 公司的前輩中繁忙的婚禮準備。
即刻觀影
劇情賞析
編輯推薦
靈語
是元介,吳可熙,鄭人碩,楊丞琳,禾浩辰,石知田,丁寧,李國超★《麻醉風暴》副導演首部長片，顛覆想像打造臺灣靈異驚悚電影新篇章！ ★ 金馬影后提名吳可熙、金鐘視后及金獎影后提名楊丞琳、金馬最佳女配角丁寧三后同臺飆戲！ ★《同學麥娜絲》《角頭–浪流連》金馬獎最佳男配角提名鄭人碩深情演出！ ★《老師，你會不會回來？》暖男是元介化身火爆重案組刑警！ ★ 文化部年度優良電影劇本佳作驚悚推理改編！ ? 劇情簡介 ? 解不了的謎，破不了的案，就靠…靈語 刑警志凱(是元介飾)奉命調查一起無名兒童連環箱尸命案，同時，他在國小任教的姊姊美珍(吳可熙飾)在放學時發現女兒慘遭歹徒綁架，志凱與搭檔嘉強(禾浩辰飾)私下展開緊急救人行動。在查案過程中循線追蹤到美珍的前鄰居明城(鄭人碩飾)與慧嵐(楊丞琳飾)，意外發現他們的女兒也已經失蹤一年，案情膠著找不到任何線索，幾乎成了破不了的懸案，兩起看似毫無關聯的案件背后似乎隱藏驚人的連結。時間一分一秒過去，外甥女命在旦夕、連續箱尸命案案情撲朔迷離，只有鬼魂知道真相，走投無路的志凱只能求助師姑曾白石(丁寧飾)，她擁有特殊體質能夠接收「靈語」，而一樁樁懸案的關鍵線索，是否能借助「靈語」抽絲剝繭找到駭人真相…。
愛情鶴頂紅
蔡德姮,陳卓故事講述了經營一家皮膚管理中心32歲大齡剩女尤可一，受到感情創傷后，在媽媽的催促下頻繁相親且不斷失敗，導致其媽媽為此氣病。不料公司又發生重大事故需要重金賠償，為此尤可一經受著家庭，事業的雙重考驗。所幸女主憑著樂觀，不認輸的精神終得愛情、事業雙豐收的結局。影片并以此呼吁社會給予剩女這個群體理解與尊重。
臨時家族
張雙利,盛朗熙,李洛伊一個陷入瓶頸期的女演員，一個北京胡同孤僻老炮。一個姥姥帶大的熊孩子，一個失敗中年男人。這分別來自北漂，留守，離異，孤寡的四個人因為一場騙局被迫組成臨時的完整家庭。自此上演一段雞飛狗跳、笑淚交織的人間悲喜劇。他們在理想與現實中困頓，在希望與孤寂里掙扎。在這臨時的親情里回望各自真正的血緣。而在歡聲笑語的身后，又有多少不為人知的傷心往事..
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
靈異隧道實錄
貝爾·德利亞,Andy Rodoreda,Steve Davis,盧克·阿諾德,戈蘭·D·克魯特,James Caitlin,Ben Maclaine,彼得·麥卡拉姆,Rebecca Clay,Shannon Harvey,Arianna Gusi,Russell Jeffrey,Jessica Fallico,Ben James,Peter Overton,瑞妮·林,丹·伊利克澳大利亞悉尼，新南威爾士正遭受嚴重的干旱，水資源短缺成為亟待解決的問題。為了應對這一情況，政府決定開發一項水資源循環利用的項目，其中包括將位于悉尼城市下方的一段廢棄的鐵路隧道加以利用。圍繞隧道的改造和難民去向，在社會上引起了巨大爭論。雖然沸沸揚揚，但是該廢棄隧道的改造計劃卻戛然而止。與此同時，關于隧道中存在著神秘怪物的傳言也愈演愈烈。 一段Youtube上流傳的視頻引起了女記者娜塔莎·華納（貝爾·戴利亞 Bel Deliá 飾）的注意，她聯系了幾名業內的好友和同事，帶著攝像器材前往隧道中一探究竟，恐怖的旅程就此拉開序幕……
阿姆魯姆
Jasper Billerbeck,勞拉·湯克,麗莎·哈格邁斯特,Kian K?ppke,拉爾斯·耶森,德特勒夫·布克,馬提亞斯·施維赫夫,黛安·克魯格,德克·伯林,哈克·波姆,Tony Can,Rita Feldmeier,馬克·哈洛夫,Morten Bo Heine,馬克斯·霍普,Polli Leuner,Jorid Lukaczik,Bernd Moss,Florentine Panizza,Thomas Perkins這部歷史劇以1945年春季二戰尾聲為背景，聚焦十歲少年南寧。其父遠征戰場，少年竭盡所能助母養家：獵捕海豹、暗夜捕魚、躬耕田間。然而期盼已久的和平降臨后，卻催生全新沖突，南寧必須在廢墟之上探尋屬于自己的人生航向。