　　米勒一家似乎擁有所有人都夢寐以求的生活：豪宅、跑車、美滿的家庭。在一個普通的日子，美麗的妻子薩拉（妮可·基德曼 Nicole Kidman 飾）迎接出差回家的丈夫，成功的鉆石采購商凱爾（尼古拉斯·凱奇 Nicolas Cage 飾）。凱爾回家的同時青春期的女兒則艾弗瑞（麗亞娜·萊伯拉托 Liana Liberato 飾）瞞著父母偷偷溜出家門去參加朋友家的派對。可是天有不測風云，一伙由四人組成的搶劫團伙闖進米勒家，綁架了夫婦二人欲實施搶劫。艾弗瑞參加完派對回家也不幸撞到了家中正在發(fā)生的悲劇。面對喪心病狂的劫匪，米勒一家將怎樣解除危機？他們是否會安然無恙？而這看似普通的搶劫背后是否又有不為人知的陰謀和骯臟的秘密？

誤殺2019

肖央,譚卓,陳沖,姜皓文,秦沛,邊天揚,許文姍,張熙然,施名帥,黃健瑋,陳志朋,葉瀏,谷洋,張林

李維杰（肖央飾）與妻子阿玉（譚卓飾）來泰打拼17年，膝下育有兩個女兒，年屆四十的他靠開設網(wǎng)絡公司為生，為人也頗得小鎮(zhèn)居民的好感，而這一切美好卻被突如其來的不速之客打破。這個充斥走私，販毒活動的邊陲小鎮(zhèn)，各種權力交織碾壓公平正義。李維杰的大女兒平平（許文珊飾）被督察長拉韞（陳沖飾）的兒子素察（邊天揚飾）迷奸，因反抗誤殺對方。李維杰曾親眼目睹督察長濫用私刑，深知法律無用，為了維護女兒，捍衛(wèi)家人，李維杰埋尸掩蓋一切證據(jù)，在時間與空間的交錯縫隙中，與警方在身心層面，展開了殊死一搏的較量。

冊殺

牛駿峰,尚語賢,白恩,王奎榮,胡耘豪,李光復,喻亢,馬渝捷,徐筠,鄧志浩,鄔倩,曲戈,陳俊安,姜琦,時銘健,朱海軍

　　李氏家族不曾向外界開放的藏書樓臨淵閣突然遭竊，偵探白飛受邀前來協(xié)助調(diào)查。在神秘的密室現(xiàn)場，他發(fā)現(xiàn)這看似普通的盜竊案背后危機四伏，人人都似乎懷揣著不可告人的秘密。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

合集泄密高潮臉合集看著被操爽了的高潮臉真有成就感

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