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Kate Marie Davies,Barrington De La Roche,David Lenik,Rowena Bentley,Toby Wynn-Davies,Peter Cosgrove,Joe Street,Dylan Curtis,Sam Lane,Jackson Wright,Kate Llewellyn,Adam J. Morgan,Tim J. Henley,Harrison Nash,Jack Miller動(dòng)物僵尸2
Jonathon Buckley,Jarrid Masse杰夫·羅斯:帶蕉上路
杰夫·魯斯鬼們之蝴蝶大廈
尹馨,曹佑寧,馮淬帆,白潤音,蔡振南,莊凱勛,安心亞,曾莞婷圣母瑪利亞
安妮·海瑟薇,米凱拉·科爾,亨特·莎弗,小枝女孩,雅典娜·弗里澤爾,凱雅·基伯,杰西卡·布朗·芬德利,伊紹拉·巴貝-布朗,阿爾芭·巴普蒂斯塔,茜安·克利福德,帕里納斯·埃斯梅爾薩德,勞拉·米金,朱莉婭·斯托爾巴,丹尼·維塔勒冰球小子
保羅·紐曼,斯特羅瑟·馬丁,邁克爾·昂吉恩,珍妮弗·沃倫,林賽·克洛斯,杰里·豪澤,Andrew Duncan,Jeff Carlson,Steve Carlson,David Hanson,Yvon Barrette,Allan F. Nicholls,布拉德·蘇利文,斯蒂芬·門迪洛,Yvan Ponton,馬修·考爾斯,Kathryn Walker,梅林達(dá)·狄龍,M·埃梅特·沃爾什,斯薇茲·昆茨,Ronald L. Docken,Guido Tenesi,Jean Rosario Tetreault,同類推薦
人體亂碼
Michael Eklund,Karoline Herfurth,Tómas LemarquisDr Geoff Burton takes up a position at a new institute in wintry Dresden, Germany. His contribution to a former colleague’s important project, a human regeneration gene, has the potential to make something miraculous out of a personal tragedy that has haunted him for years. Errors of the Human Body is a psychological thriller about one man’s quest for redemption from his own disturbing past, set within the mysterious world of genetic engineering.
天空嶺殺人事件
徐康俊,文素利,申東美,李世榮《天空嶺殺人事件》是2013年12月05日,徐康俊和文素利主演的一集電視劇。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
蝸牛籃球隊(duì)
輪椅籃球經(jīng)常與殘疾人運(yùn)動(dòng)聯(lián)系在一起。然而,輪椅籃球是一項(xiàng)適合殘疾人和非殘疾人的運(yùn)動(dòng)。受20世紀(jì)90年代被稱為“球場(chǎng)上的狐貍”的國家隊(duì)教練李元宇及其門徒教練韓薩炫對(duì)輪椅籃球的奉獻(xiàn)精神的啟發(fā),這部真人動(dòng)作運(yùn)動(dòng)故事講述了一位中年籃球明星,一位傲慢的籃球天才,以及因事故而擁有圓形鋼腿的男子。他們一起通過輪椅籃球團(tuán)結(jié)起來,追求自己的夢(mèng)想。
關(guān)于我轉(zhuǎn)生變成史萊姆這檔事蒼海之淚篇
堂本光一舞臺(tái)設(shè)定在崇拜水龍守護(hù)神的海底王國「海炎國」,這里因神秘污染和“強(qiáng)行喚醒沉睡水龍”的陰謀陷入危機(jī)。利姆露一行人原本是來海島度假,卻被卷入這場(chǎng)深海危機(jī),從悠閑摸魚被迫營業(yè),潛入蒼海深處揭開陰謀、阻止海底文明覆滅。