德川女性酷刑雙牛裂身

? 5.7 播放：49萬 2026-05-28
主演： 牧口雄二/

影片講述德川時期發生的兩個殘酷故事艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan　　牛裂篇：長崎當地官員高坂主膳（汐路章 飾）殘暴成性，發明各種酷刑迫害基督教徒。在官府奉職的佐佐木伊織（風戶佑介 飾）與女孩登世（內村レナ 飾）相愛，然登世一家為基督徒，不久也被抓進官府。登世父母不堪折磨，相繼慘死，妹妹亦被燙瞎雙眼。得知內情的高坂有意在伊織面前侮辱登世，并將其霸占，令二人痛苦不已。一年后，淪為浪人的伊織帶登世逃跑，途中伊織被高坂殺害，登世則因通奸罪遭受了殘酷的牛裂之刑。　　鋸刑篇：貪圖享樂的舍藏（川谷拓三 飾）逛青樓無錢付帳，被逼做工償還，期間目睹了妓女們所遭受的種種折磨。舍藏無法繼續忍受，偕相好的妓女大里（橘麻紀 飾）逃亡，靠“仙人跳”為生，中間鬧出不少笑話。后二人被官府捉拿，遭受一系列痛苦刑法……

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? 播放 德川女性酷刑雙牛裂身

劇情提要

影片講述德川時期發生的兩個殘酷故事艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan　　牛裂篇：長崎當地官員高坂主膳（汐路章 飾）殘暴成性，發明各種酷刑迫害基督教徒。在官府奉職的佐佐木伊織（風戶佑介 飾）與女孩登世（內村レナ 飾）相愛，然登世一家為基督徒，不久也被抓進官府。登世父母不堪折磨，相繼慘死，妹妹亦被燙瞎雙眼。得知內情的高坂有意在伊織面前侮辱登世，并將其霸占，令二人痛苦不已。一年后，淪為浪人的伊織帶登世逃跑，途中伊織被高坂殺害，登世則因通奸罪遭受了殘酷的牛裂之刑。　　鋸刑篇：貪圖享樂的舍藏（川谷拓三 飾）逛青樓無錢付帳，被逼做工償還，期間目睹了妓女們所遭受的種種折磨。舍藏無法繼續忍受，偕相好的妓女大里（橘麻紀 飾）逃亡，靠“仙人跳”為生，中間鬧出不少笑話。后二人被官府捉拿，遭受一系列痛苦刑法……

幕后花絮

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

歲歲平安

暴雨將至，轟隆隆的聲音夾雜著人群的呼喊聲砸向操場，正在參加小學田徑比賽的唐平安重重的摔倒在地面，當母親李枚趕到醫院時，醫生卻給了再生一個孩子做骨髓移植的建議，李枚怔怔的站在深不見底的樓道，像是對她過去十幾年最好的懲罰，故事從這里開始。十幾年前，李枚在計劃生育政策下為了生二胎，不得不將襁褓中的女兒歲歲遠送他鄉親戚，不料幾年后，漸漸成熟的歲歲卻成了猥瑣養父趁女兒洗澡時偷偷窺視的對象，看上去多余的歲歲在一次爭吵后離家出走，流浪的女孩卻遇到了新的“父親”劉建凱，一個住在船上打漁為生的男人，以父女相稱，看起來生活就這么好起來了。幾年后，突然一個陌生的女人闖入歲歲的生活，自稱姑媽。其實是李枚兒子平安突發白血病以后，他們想起了被自己拋棄的女兒，通過當年的一絲聯系，輾轉找到了女兒歲歲，這是這個家庭唯一的希望。只是女兒歲歲似乎早已經知道了真相，他們互為朋友，互相試探，互相利用，最終他們都要回家，可是歲歲的家到底在哪里？