團(tuán)鬼六白衣繩地獄
在中山醫(yī)院擔(dān)任護(hù)士的北川敏子（麻吹淳子 飾）美麗溫柔，她與同事洋子（朝霧友香 飾）是一對(duì)同性戀人。雖則如膠似漆，不過敏子最終選擇與英俊的年輕醫(yī)生佐山（中丸信 飾）步入婚姻殿堂。在結(jié)婚前的幾天，敏子接到曾經(jīng)的病人內(nèi)村光枝（橘雪子 飾）的來信，對(duì)方誠(chéng)摯地邀請(qǐng)她來家中做客。敏子應(yīng)約前往，進(jìn)屋后卻發(fā)現(xiàn)光枝被五花大綁捆在地上，緊接著兩個(gè)戴著面具的男人突然出現(xiàn)，對(duì)敏子進(jìn)行了毫無人道的侮辱艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan在此之后，敏子的身心遭受巨大創(chuàng)傷，即使幸福的蜜月也無法彌合她心中的傷痛。隨著時(shí)間的流逝，她的臉上漸漸嶄露笑容，然而那段不堪回首的回憶卻又突然襲來……
即刻觀影
劇情賞析
編輯推薦
鬼悚歷險(xiǎn)3D
阿瑪雅·薩拉曼卡,馬克西·伊格萊西亞斯,Lucho Fernandez心理學(xué)專業(yè)學(xué)生安吉拉（Amaia Salamanca 飾）分外擔(dān)心她的期末學(xué)分，在教授的建議下，這個(gè)一向不相信超自然的女孩決定去探訪一座早已廢棄的礦區(qū)小鎮(zhèn)Susurro，那里曾經(jīng)有一個(gè)嗜血如命的馬特加醫(yī)生，傳說他的惡靈至今還在小鎮(zhèn)上游蕩，殘害偶然闖入的人們。為了證明馬特加醫(yī)生的傳說子虛烏有，也為了順利通過考試，安吉拉和她具有較強(qiáng)第六感的妹妹戴安娜（Alba Ribas 飾）以及同學(xué)喬西（Maxi Iglesias 飾）、托尼（óscar Sinela 飾）、貝蘭（úrsula Corberó 飾）、卡羅斯（Lucho Fernández 飾）驅(qū)車前往那個(gè)荒涼陰森的邊遠(yuǎn)小鎮(zhèn)。 借助精密儀器和戴安娜的配合，他們似乎真的將馬特加醫(yī)生喚回了人間，而死神也一步步向他們靠近……
寒栗第二季
達(dá)妮察·丘爾契奇,米克爾·福爾斯加德,蘇菲·格拉寶,卡廷卡·萊爾克·彼得森,厄茲勒姆·薩格拉馬克,埃斯特·伯奇,安德斯·霍夫,米歇爾·比約恩-安德森,克里斯托弗·斯瓦內(nèi),梅特·弗蘭克,安德斯·布林克·馬德森,維利·武爾夫·博托夫特,埃拉·約瑟芬·隆德·尼爾松,比約克·斯托姆,瑪?shù)贍柕隆び任鞅葹跛?伊達(dá)·塞西莉·拉斯穆森,優(yōu)素福·韋恩·維特費(fèi)爾特,安德斯·尼博格,弗雷德里克·曼瑟,丹·扎赫勒41歲的桑德拉·林德斯特倫失蹤后被發(fā)現(xiàn)遇害，警方在她的數(shù)字足跡中發(fā)現(xiàn)，她已被未知兇手網(wǎng)絡(luò)跟蹤數(shù)月，對(duì)方不僅監(jiān)視她的一舉一動(dòng)，還發(fā)送了帶童謠的威脅視頻。警探納雅·圖林與馬克·赫斯再度聯(lián)手調(diào)查，發(fā)現(xiàn)案件與兩年前17歲少女艾瑪·霍爾斯特的未破兇案手法如出一轍，兩名受害者都深陷離婚與撫養(yǎng)權(quán)糾紛。隨著調(diào)查深入，更多線索浮現(xiàn)，兇手的“捉迷藏式獵殺”游戲仍在繼續(xù)，兩人被迫直面案件背后的陰暗真相。
最后的日出
張玨,張苒在未來，地球上所有的化石能源都被消耗殆盡，人類全面進(jìn)入了太陽(yáng)能時(shí)代。能源公司開始全面的開發(fā)和控制太陽(yáng)，人類社會(huì)逐漸向完全依賴太陽(yáng)能Ⅱ型文明邁進(jìn)。 但在一次人類科學(xué)無法探明的天體活動(dòng)中，太陽(yáng)突然消失了。整個(gè)世界陷入了黑暗的無政府狀態(tài)，大面積搶奪生存資源的惡性事件在城市不斷發(fā)生，富人乘坐宇宙飛船逃離到其他星球，普通人只能留在地球享受世界末日。社恐障礙的天文學(xué)自由撰稿人孫煬與素未謀面的廢柴鄰居陳暮被迫結(jié)伴共同踏上末日逃亡之旅，前往傳說中人類最后的庇護(hù)之所——第四區(qū)。一路上他們與形形色色的人匆匆相遇，見到了最殘酷的人性與最溫情的告別。在無數(shù)次的死里逃生之后，兩顆寂寞的心開始慢慢靠近，并在殘酷的災(zāi)難面前逐漸發(fā)現(xiàn)了生命的意義……
角落小伙伴：天空王國(guó)與兩位小伙伴
井之原快彥,本上真奈美故事舞臺(tái)設(shè)于云上天空王國(guó)。當(dāng)王子從天空王國(guó)墜入陰雨連綿的角落小鎮(zhèn)，救助王子的角落小伙伴們得知云上世界陷入嚴(yán)重水危機(jī)，為拯救王國(guó)展開冒險(xiǎn)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
狄仁杰之通天浮屠
羅立群,許翔,張婉琳,侍宣如唐載初年，位于郊外校場(chǎng)倒塌的通天浮屠殘骸一夜之間復(fù)活。天空中一條火龍照亮夜空，并噴射火球摧毀了整個(gè)校場(chǎng)，死傷無數(shù)。隨后通天浮屠也燃起大火，化為灰燼。而異族鬼道在城外叫囂，只有武則天效仿大佛自焚，天下才可免受災(zāi)難。城中內(nèi)外人心惶惶，狄仁杰奉命徹查此案，卻遇到了與自己有過節(jié)的大理寺少卿裴東升。二人不打不相識(shí)，被迫一起調(diào)查此案。面對(duì)外敵的入侵，隊(duì)友的不信任，狄仁杰決心背水一戰(zhàn)，勢(shì)要查明案件的真相。