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無法饒恕的愛
薩拉·克利夫蘭,Matt Wells...
懸案密碼3：信仰的陰謀
尼古拉·雷·卡斯,法瑞斯·法瑞斯,帕爾·斯維爾·哈根,雅各布·豪伯格·羅曼,阿曼達(dá)·科林,約翰·路易斯·施密特,雅各布·奧福特布羅,索倫·比爾馬克,邁克爾·布羅斯楚普,莫滕·基爾斯果,洛特·安德森《懸案密碼》系列的第三部：6年前，一只在海上漂流的瓶子在蘇格蘭被打撈上岸，然而里面的求救信卻被視為不祥之物，直到一位調(diào)查人員無意中看出了信件開頭用丹麥文寫著：救命！隨著卡爾和兩名下屬的破解，他們發(fā)現(xiàn)署名“保羅”的作者不僅確有其人，而且在寫下瓶中信后便下落不明...... 為何少年的家人不曾追究他的行蹤？難道他在多年前便已遭遇不測(cè)？正當(dāng)調(diào)查陷入膠著，一起離奇車禍讓原本天衣無縫的邪惡罪行露出破綻，串起所有線索的卡爾這才明白，自己面對(duì)的并不單是一樁陳年舊案，而是過去十幾年來，許多破碎家庭的絕望呼救…
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
喪尸出籠：血脈
Sophie Skelton,喬納森·斯卡奇,Jeff Gum,Marcus Vanco,馬克·史密斯,Lorina Kamburova,莎莉·沃特森,Rachel O'Meara,克里斯蒂娜·塞拉菲尼,Lillian Blankenship,Debbie Sherman,Luke Cousins,Nathan Cooper,阿塔納斯·斯雷布雷夫,Ulyana Chan因流感感染的死者突然復(fù)活，變成喪尸開始瘋狂撕咬活人，被咬后的活人紛紛變成喪尸，一場末日喪尸之戰(zhàn)自此開始...
食人晚宴
Alexandra Lesch,Kristiana Rohder,Lara BaumA group of models find themselves trapped in a factory inhabited by a cannibalistic degenerated family.
女人們的談話
魯妮·瑪拉,朱迪思·愛薇,艾米麗·米切爾,凱特·哈萊特,麗芙·麥克尼爾,克萊爾·芙伊,希拉·麥卡錫,杰西·巴克利,米歇爾·麥克勞德,基拉·古洛安,莎伊拉·布朗,弗蘭西斯·麥克多蒙德,薇薇安·安迪克特·道格拉斯,本·衛(wèi)肖,奧古斯特·溫特,洛克蘭·雷·米勒,納撒尼爾·麥克帕蘭德,威爾·寶,伊里·哈姆,艾米麗·德雷克,馬庫斯·克雷格,卡羅琳·吉利斯來自與世隔絕的宗教社區(qū)的婦女們努力使她們的現(xiàn)實(shí)與她們的信仰相協(xié)調(diào)。通過背景故事，我們看到一個(gè)婦女社區(qū)聚集在一起，研究如何共同前進(jìn)，為她們自己和她們的孩子建立一個(gè)更美好的世界。要么留下來戰(zhàn)斗，要么離開。她們不會(huì)什么都不做。
靈蝕
桑德拉·埃斯卡塞納,布魯納·岡薩雷斯,克勞蒂亞·普萊瑟,伊凡·查韋羅,安娜·托倫特,康斯薇洛·特魯希略,安吉拉·費(fèi)比安,卡拉·坎普拉自從父親死后，薇若妮卡就一直姊代母職照顧弟弟。思念父親的她，和兩個(gè)朋友在日全蝕那天，做了碟仙板以召喚她父親的靈體。不料就在日光完全遭到遮蔽同時(shí)，玻璃破碎，薇若妮卡陷入恍惚狀態(tài)然后昏迷，朋友們也嚇得驚慌失措。薇若妮卡清醒后回家，卻開始發(fā)現(xiàn)一些異象：東西自己會(huì)移動(dòng)、看不見的地方傳來正體不明的呼吸聲……她覺得是她把父親帶回了生者的世界，可是這些異象卻越發(fā)不懷好意，讓她備感威脅。在弟弟的幫助下，薇若妮卡展開一項(xiàng)儀式要脫離靈體糾纏，卻召喚出始料未及的恐怖幻影，雖然薇若妮卡勇敢地抵抗，但她卻渾然不知可怕的后果正等著她……