愛的奉獻
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鐵弓傳奇
孟可,王昱凱,潘洋,張莉佳,李運凱總兵石須龍之子石倫強搶秀英,匡忠出手相救、拉開寶弓,二人因弓結(jié)緣。秀英、匡忠逃跑途中互生情愫,二人在識破石須龍貪污軍餉罪行的過程中重新認識彼此、相知相愛,聯(lián)合月英帶領(lǐng)的二龍山眾兄弟打倒石須龍。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
禁止進入
兩個正在“成名路上”摸爬滾打的工薪階層YouTuber,為了取回不小心丟進一座廢棄豪宅的籃球,決定進入這個詭秘的地方。他們在屋里互相惡作劇,打鬧嬉戲,還用手機記錄下這次“短暫冒險”。為了吸引更多粉絲,他們在視頻里特意添加了一個假鬼影效果。沒想到,視頻一經(jīng)上傳就迅速走紅。 于是,他們發(fā)起一個大膽挑戰(zhàn):如果視頻播放量達到預(yù)定目標(biāo),他們將會在深夜再次進入這棟老宅,這次毫無防護,完全“裸探”。隨著粉絲們熱烈響應(yīng),他們真的兌現(xiàn)了承諾。然而,這一次,他們不僅將揭開豪宅背后的秘密和那些神秘“住客”的真相,也逐漸意識到一個令人毛骨悚然的事實——或許他們自己已經(jīng)不再屬于這個世界了。 面對這一切,一個問題浮現(xiàn):為了成名,你究竟愿意付出多大代價?
媽媽:來自Neraka的祝福
漢娜·阿爾·拉希德,卡莉斯塔·阿魯姆,Nova Eliza普特里一直只知道她的母親薩里是一位才華橫溢的塔羅牌占卜師,深受眾多高官顯貴和商界名流的信賴。她對薩里幾乎沒有任何私人記憶,直到薩里在一場事故中喪生。有一天,普特里收到了一條手機短信——來自她已故母親的號碼。起初,她以為這只是個惡作劇。但漸漸地,這些短信開始指引她未來的命運——而這些命運真的發(fā)生了。普特里慢慢意識到,這些短信確實是她母親發(fā)來的。
抵擋計劃
Donald Cerrone,凱利·林恩·萊特,Vincent E. McDaniel,布蘭迪·羅德里克,Chris Maher一名被困在公寓里的年輕人,門外有一群惡魔,他必須找到一種方法度過夜晚,逃離213號公寓。