合集抖音快手走光閃現

0.3 播放：87萬 更新：2026-05-27
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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

隔壁的星光

福本莉子,八木勇征,倉悠貴,橫田真悠,西垣匠,田鍋梨梨花,清水美沙,宮崎吐夢,紺野真晝,野波麻帆,濱野謙太

本片改編自同名漫畫，講述了以當紅年輕演員的身分開始邁向明星之路的柊木昴（八木勇征 飾），以及他青梅竹馬的女高中生天野千明（福本莉子 飾），有著“明星和素人”這種令人著急的關系的超王道愛情故事。

真犯

宋清晨,柳善,張赫鎮,吳珉錫,鄭海鈞,韓秀妍,鄭熙泰,申賢德,尹頌雅,張英,俊賢淑

　　講述的是受害者林宥貞的丈夫李英勛（宋清晨 飾）與嫌疑人金俊成的妻子鄭多妍（柳善 飾）在最后一場判決前隱藏著對彼此的懷疑為找出真相而攜手合作的故事。

老破車

林祺堂,Kristin Tiara,Richard Low

開著一輛老奔馳，年邁的阿福剛失去妻子，寡言的他就像被困在過去的時光里。他變賣家當，處理摯愛的破車，準備移民加拿大與兒子會合，然而生活卻沒有輕易放過他。和女兒的心結難解，也見證舊友年華逝去、世事無常，突如其來的變故，更一下子打亂了他的計劃，將他推入絕境。與跨性別女性娟妮萍水相逢，或許是生命贈與的最后契機，他在路上還有什么未盡的習題？

猿山異聞錄

袁福福,王培祎,王青,王純,邵峰,付宏聲,盧勇,何承熹,宋建霖

據傳聞，古時候有座山叫猿猴山，猿猴山有一國，名為猿國。猿國有一罕見白猿，猿國尊護白猿為神，稱“猿神”，百姓日夜供奉，祈求平安。近日，有傳言說“猿神”暴怒，不會再庇護猿國了，國主才會久病不起，導致猿國上下人心惶惶。為了穩定民心，猿國國主請求太極村掌門延一道人幫助猿國調查傳言真相，讓百姓心安。延一道人派遣弟子玄城前往猿國協助，探尋背后真相。