家政服務員：拖地拖得好，洗得干凈

　　處死朱由樺的當天，朱由樺離奇失蹤，梅兒和蘭心都因此受到責罰。蘭心不顧太子反對，執意要將朱由樺送還給三皇子，卻發現馬車上的孩子竟然不翼而飛。蘭心和太子感情出現嫌隙，梅兒和金碧瑤使出渾身解數爭得太子寵愛。太子和萬歷等人到郊外狩獵，有人暗殺太子，梅兒為太子擋下一箭，生命垂危，太子深受感動，認為欠梅兒太多。上官鴻業調查太子行刺事件，卻發現幕后的真兇并不是眾人猜想的三皇子，而是梅兒。梅兒冊封當天，鄭貴妃揭出了梅兒乃娼妓之女的秘密，讓梅兒不能受封。鄭貴妃趁勢發動自己的親信彈劾上官鴻業，蘭心救父心切，卻誤會太子，兩人再次不歡而散。失蹤多日的朱由樺突然出現在蘭心房中，將朱由樺放入籃子中帶入宮去，卻被梅兒換成了旋兒，蘭心帶“朱由樺，”進宮，巧遇為上官鴻業來求情的太子，太子再次產生了誤會。在王恭妃和鄭貴妃的逼迫下，太子提劍殺死了璇兒 ，等知道時璇兒已經沒有了呼吸。蘭心傷心欲絕。蘭心帶幸存的朱由樺離去，太子策馬追去，卻尋不見蹤影了。皇上以太子妃一位不可久缺為由，冊封大學士王中澤之女王氏為太子妃。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

 她是一位國標舞者，卻在重大賽事的緊要關頭遭遇危機，幸好有位街頭舞者挺身而出，不顧自身過往的傷痛，擔任她的出賽舞伴。

　　塞西莉亞（西德妮·斯威尼 飾）是一個非常虔誠的修女，她來到意大利鄉間修道院開始新生活，卻在這個幾乎全是女人的地方意外懷孕，原來這里隱藏著黑暗和可怕的秘密。