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謊言的島嶼
內瑞雅·巴德洛斯,達里奧·格蘭迪內蒂,埃托爾·盧納,Victoria Teijeiro,Ana Oca,米洛·塔波阿達,Leire Berrocal,Miguel Borines,賽爾索·布加諾,Mela Casal,María Costas,Roberto Leal,Sergio Quintana,Machi Salgado,Ana Santos故事發生在1921年的西班牙，一艘蒸汽船載著260名西班牙移民駛往美國，他們滿心期待在那里能夠開始他們嶄新的人生。不幸的人，一場船難襲擊了這群追夢者，他們所乘坐的蒸汽船載西班牙加利西亞海岸附近的一座小島旁沉沒了。幸運的是，島上生活的三個女人發現了這批遇難者，她們熱情的給予了幫助，最終，50名乘客得到了救助，保住了性命，這三個女人也因此名聲遠揚，被視為英雄。 一名阿根廷記者聞訊來到了這座小島，想要將這件事情寫成報道，可是，隨著他調查的深入，記者發現很多事情都和他所聽說的不符，不僅如此，他還開始懷疑，或許蒸汽船的沉沒從一開始就不是一場意外。
懲罰者：最后一擊
喬·博恩瑟,杰森·R·摩爾,朱迪斯·賴特,黛博拉·安·霍爾,安德烈·羅佑,尼克·庫馬拉索斯,賈馬爾·勞埃德·約翰遜,多米尼克·曼齊諾,約瑟夫·德維托,大衛·曼努埃爾,多納爾·奧·赫萊,約翰·道格拉斯·湯普森弗蘭克（喬·博恩瑟 飾）在尋找復仇之外的人生意義時，被一股意想不到的力量拉回了戰斗。
奇幻變身大冒險
邁克爾·B·喬丹,朱諾·坦普爾,崔西·摩根,塞德里克·凱爾斯,內森·格雷諾,賈斯蒂娜·馬查多,Joan Ryan,Antwinette Mccloud,Camden Brooks一只小林地生物（邁克爾·B·喬丹 配音）和一只雄偉的鳥（朱諾·坦普爾 配音）——山谷里天生的死敵——突然互換身體，必須合作（同時穿著彼此的羽毛和毛皮）才能度過他們生命中最狂野的冒險。
維也納戰役
F·默里·亞伯拉罕,恩里克·洛維索,杰茲·斯科利莫夫斯基,艾麗卡·巴赫蕾達-庫魯斯,彼得·亞當奇克,Andrea Iaia,克萊爾·布魯姆,Matteo Branciamore,Marius Chivu,安東尼奧·庫普,喬治·盧帕諾,菲德莉卡·馬丁內莉,詹尼·穆西,達尼爾·奧勒布里斯基,伊莎貝拉·奧爾西尼,波利斯·席克,約爾戈·沃亞吉斯,山內春彥,沃伊切赫·麥克瓦爾達斯基,白蘭度·帕奇托,安吉麗卡·卡琪亞帕格莉亞,馬達林·德拉甘,斯蒂芬·揚庫,Edward Linde-Lubaszenko,Daniel1453年，東羅馬帝國陷落后，地處中歐的神圣羅馬帝國，不得不直接面對土耳其人的侵擾。土耳其人熱衷擴張，雖然他們信奉伊斯蘭教，但他們認為他們才是真正的“羅馬皇帝”，神圣羅馬帝國的皇位，已由哈布斯堡王朝掌權兩百年，他們是基督教世界的最后保衛者，雙方再維也納一決高下：一方信誓旦旦，另一方誓死捍衛。
比爾和泰德暢游鬼門關
基努·里維斯,亞歷克斯·溫特,威廉姆·賽德勒,喬斯·雅克蘭德,帕姆·格里爾,喬治·卡林熱愛搖滾樂，一心想贏得大賽的阿比阿弟不小心被另一對長得一模一樣的阿比阿弟機器推冥界。在他們大鬧陰曹地府、暢游天堂之后還拖著死神回到陽世，拯救女友的性命···節奏強烈的熱門歌曲、地獄游歷的驚險怪譚，還有一對胡搞蠻纏的活寶兄弟，就已經使「阿」片夠新鮮熱鬧了，再加上導演創新的拍攝手法，許多趣味的橋段串連，使本片不論在視覺效果、技術處理上皆比上集精進，娛樂效果更有過之而無不及。
納什維爾謀殺案
Sarah Zanotti,Nick Puya,科賓·蒂布魯克,Kate Dailey,Alex Bowling,Ellen B. Williams,Christopher St. Mary,Trisha Owen,Diane D Carter,Allen C. Shepherd Sr.聚焦追夢女孩伊登的納什維爾驚魂：懷揣音樂夢的她移居鄉村音樂之都，與音樂大亨之子杰克斯墜入愛河，卻在甜蜜中發現多起與杰克斯相關的女性連環命案。隨著調查深入，家族的黑暗秘密層層揭開，伊登驚覺自己早已身陷致命陷阱。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.