緊身褲金發(fā)小姐姐辦公室里脫掉等老板

失蹤兒童錄像帶

杉田雷麟,平井亞門,森田想,藤井隆

　　敬太（杉田雷麟 飾）的弟弟日向很久之前，在山中失蹤。敬太一直還在尋找弟弟。一天，他突然收到母親寄來的一盤舊錄像帶，里面是弟弟失蹤瞬間的錄像。　　敬太擅長通靈的室友（平井亞門 飾）從錄像帶中感受到了不祥的氣氛，并勸敬太不要過多地介入其中。 隨后，他倆與一直報(bào)道此事的記者 美琴（森田想 飾）共同前往了弟弟失蹤的那座山。

最佳女婿

張學(xué)友,周星馳,莫少聰,張敏,吳耀漢,沈殿霞,梁榮忠,胡楓,廖啟智,鄭欣宜

　　美發(fā)師紀(jì)阿開（張學(xué)友）、服裝設(shè)計(jì)師大眼龍（莫少聰）和風(fēng)水師賴布丁（周星馳）三個(gè)死黨合伙開了一家新潮美發(fā)店，不料開業(yè)當(dāng)天就與隔壁理發(fā)店老板發(fā)生爭執(zhí)，幸得店老板女兒亞英（張敏）及時(shí)出手風(fēng)波平息，過程中，三人皆被亞英魅力吸引，為贏其芳心，開始頻頻登其家門獻(xiàn)殷勤。　　某次晚餐聚會后，三人爛醉與亞英誤睡一室，導(dǎo)致亞英懷孕，為與亞英一起生活，三人爭先恐后將準(zhǔn)父親一職往自己身上攬，又因三人血型相同，醫(yī)院也無法驗(yàn)出誰在冒名，亞英父母決定先考察三人表現(xiàn)，為爭當(dāng)最佳女婿，三人使盡渾身解數(shù)展開激烈角逐。

超凡世界

約翰·邁爾斯,Géza R?hrig,邁克爾·古爾德,海莉·卡邁克爾,奈德·丹內(nèi)利,赫立德·阿卜杜拉,艾力克·高敦,塔尼婭·雷諾茲,塔格·墨菲,揚(yáng)·貝弗特,凱特·迪基,薩姆·盧維克,阿德里安·勞林斯,Slavko Labovic,喬納森·凱斯,伯恩·戈曼,西蒙·曼勇達(dá),蒂姆· 普萊斯特,道格拉斯·羅素,拉多米爾·尼科利奇

　　帶觀眾走入衰敗中的歐洲，來一趟超凡之旅。集結(jié)了黑色幽默和奇幻故事，講述一群人在碰上了一位陌生人之后，他們的生活開始崩壞。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

恐影檔案

Thomas Dekker,Robert Englund,Fiona Dourif

　　A doctor works to cure patients suffering from crippling phobias by placing them inside his invention which induces and controls hallucinations. 

網(wǎng)絡(luò)迷宮

克里斯多弗·蘭伯特,迭戈·阿巴坦托諾,斯特凡妮婭·羅卡

　　2005年圣節(jié)前3天，電子游戲設(shè)計(jì)員米正在趕制全新游戲－極樂迷宮，準(zhǔn)備在圣誕日推出面大量發(fā)售．豈料異變突然發(fā)生，游戲里的主角蘇被病毒感染產(chǎn)生自主意志，厭倦了打打殺殺無限續(xù)局的殘酷生涯，要求杰米刪除游戲程式，另一邊廂，電腦集團(tuán)又派人催促杰米趕快交貨，進(jìn)退維谷的，他只好兵行險(xiǎn)著，策動(dòng)一場網(wǎng)絡(luò)革命……

53個(gè)周日

亞歷山德拉·希門內(nèi)斯,卡門·馬奇,哈維爾·古鐵雷斯,哈維爾·卡馬拉

三兄妹同意見面商討年邁父親的未來，但重聚演變成了爭吵、嘲弄和舊怨重提。