在線看
同款熱播
白石州往事
內詳是中國獨立電影導演蔣潤庭創作的科幻小說，在番茄小說網連載，以虛構城市白石州市爆發“WOC-13”新型狂犬病毒為背景，通過多角色故事展現末日危機下的人類求生選擇。
電視臺風云
費·唐納薇,威廉·霍爾登,彼得·芬奇,羅伯特·杜瓦爾,尼德·巴蒂,比阿特麗斯·斯特雷特妻子的死給電視臺王牌主播霍華德（彼得·芬奇 Peter Finch 飾）帶來了沉重的打擊，使他陷入痛苦和悲傷中無法自拔。電視臺決定解雇已經無心工作的霍華德，霍華德的老朋友麥克斯（威廉·霍爾登 William Holden 飾）成為了傳達這一噩耗的不二人選。得知自己即將被 解雇，為電視臺做牛做馬多年的霍華德十分憤怒，在第二天的節目上，他竟然向觀眾們預告，自己即將進行自殺直播。霍華德的這一出格舉動惹惱了電視臺的高層，更讓一直對麥克斯心存不滿的總裁弗蘭克（羅伯特·杜瓦爾 Robert Duvall 飾）發現了找茬的機會。在隔天的新聞直播中，霍華德理應按計劃對自己的不慎言行做出道歉，可是惱羞成怒的他卻大放厥詞，將矛頭直指當代美國的種種弊端。女制片人戴安娜（費·唐納薇 Faye Dunaway 飾）從霍華德的一系列行為中看出了商機，她買通了弗蘭克，成為了霍華德背后的推手。
致命玩笑
海耶斯·麥克阿瑟,杰西卡·麥克娜美,基爾·奧唐納一對兄弟姐妹在一家偏僻的汽車旅館里度過了一個可怕的惡作劇之夜。
不死之人
安東·迪夫倫,哈澤爾·考特,克里斯托弗·李邦納博士計劃通過更年輕、更健康的人類受害者周期性的腺移植來永生。邦納看起來大約40歲，他真的104歲了。但是人們開始懷疑了，他可能不會到200歲。
偉大的覺醒
John Paul Sneed,喬納森·布萊爾,Josh Bates,Joe Dignoti,Stephen Foster HarrisExploring the friendship between renowned preacher George Whitefield and Benjamin Franklin, and Whitefield's impact during the pivotal Great Awakening religious movement.
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster