性趣新人王

★ 8.5 播放：97萬(wàn) 更新：2026-05-28

まさか、新人女子社員が「大人のおもちゃ」を開発!?アダルト'トイの開発に協(xié)力してほしいと頼まれた新入社員の純子。連れて行かれたのはラブホテル、しかもコスプレするハメに'''。　　●ストーリー　　就職浪人の若村市朗(並河一)は、一念発起して求人雑誌に載っていた大手玩具メーカー'トイズの就職試験へと出向く。しかし、そこはトイズの隣にある弱小アダルト'トイメーカーの友遊堂だった。面接官の美崎結(jié)衣(緒川凜)に文句を言う市朗に対して、面接を受けに來(lái)た園田純子(天海つばさ)は真面目にアダルト'グッズの仕事に取り組む意欲を見せる。純子は入社早々に海外との獨(dú)占契約プロジェクトのアシスタントになり、バリバリ活躍する。一方、純子に影響されて入社した市朗は、新商品の開発を擔(dān)當(dāng)することになるが、童貞の市朗は志う品に必要なリア...

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劇情簡(jiǎn)介

まさか、新人女子社員が「大人のおもちゃ」を開発!?アダルト'トイの開発に協(xié)力してほしいと頼まれた新入社員の純子。連れて行かれたのはラブホテル、しかもコスプレするハメに'''。　　●ストーリー　　就職浪人の若村市朗(並河一)は、一念発起して求人雑誌に載っていた大手玩具メーカー'トイズの就職試験へと出向く。しかし、そこはトイズの隣にある弱小アダルト'トイメーカーの友遊堂だった。面接官の美崎結(jié)衣(緒川凜)に文句を言う市朗に対して、面接を受けに來(lái)た園田純子(天海つばさ)は真面目にアダルト'グッズの仕事に取り組む意欲を見せる。純子は入社早々に海外との獨(dú)占契約プロジェクトのアシスタントになり、バリバリ活躍する。一方、純子に影響されて入社した市朗は、新商品の開発を擔(dān)當(dāng)することになるが、童貞の市朗は志う品に必要なリア...

導(dǎo)演精選

母親2020

　　本片是根據(jù)實(shí)際發(fā)生的「少年殺害了祖父母事件」的構(gòu)思而改編成電影的嶄新故事。長(zhǎng)澤扮演懶散奔放的母親·秋子，挑戰(zhàn)墮入了社會(huì)黑暗面的女人，而阿部サダヲ則飾演與秋子沒有結(jié)婚登記而同居的丈夫·遼，影片將重點(diǎn)刻畫秋子和她年幼的兒子·周平（郡司翔）之間所展開的關(guān)系。

食人晚宴

　　A group of models find themselves trapped in a factory inhabited by a cannibalistic degenerated family.

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.