団鬼六OL繩奴隸
「奴隷でいたいの」、卑猥な文字で綴られる官能と倒錯(cuò)のダイアリー。2代目SMの女王として人気を博した麻吹淳子主演のエロティック?ドラマ。監(jiān)督は、藤井克彥。知的な雰囲気の美人OL?江崎君代（麻吹淳子）。銀行に勤める彼女は、課長(zhǎng)の岡崎（石山雄大）と不倫関系にあった。1981年の年が明け、岡崎にプレゼントされた赤い日記帳には、彼女の心境が綴られた。帰省することもなく、岡崎からの電話を待ち続けた。1月4日、従妹の女校生?由美子（山地美貴）が上京。2人がレストランで食事をしていると、窓外から君代を凝視している若い男がいた。クリーニング店の店員?岬干夫（島和廣）である。ある日、配達(dá)に來た干夫に、君代は経血で汚れた下著を盜まれた。以來、彼女は彼を忌み嫌っていた。その翌日、仕事始めのその夜、岡崎と君代はホテルでお互いの體を貧るように求め合った。君代は會(huì)えなかった寂しさと岡崎の妻?菊子（小川亜佐美）への嫉妬心を打ち消すように愛撫し、體を仰け反らせ悶えた???。
即刻觀影
劇情賞析
編輯推薦
羅生門
三船敏郎,京町子,森雅之,志村喬,千秋實(shí),上田吉二郎,本間文子,加?xùn)|大介羅生門，日本京都的正南門。云游和尚、砍柴人和乞丐在城門底下避雨，三人閑聊，話題開始，故事的序幕拉開：一個(gè)武士和他妻子路過荒山，遭遇了不測(cè)。妻子被侮辱，而武士慘遭殺害。慘案如何釀成？?jī)词?、妻子、借武士亡魂來做證的女巫，都各有說法。真相只得一個(gè)，但是各人提供證詞的目的卻各有不同。為了美化自己的道德，減輕自己的罪惡，掩飾自己的過失，人人都開始敘述一個(gè)美化自己的故事版本?；纳缴系膽K案，成了一團(tuán)撥不開看不清的迷霧。談?wù)撏戤叄赀^天晴。砍柴人在羅生門旁發(fā)現(xiàn)一個(gè)哭泣的棄嬰。他決定收養(yǎng)下來，抱著嬰孩往夕陽深處走去。
留低你個(gè)死人頭
William Baldwin,安琪拉·瓊斯蓋布麗（安琪拉·瓊斯 Angela Jones 飾）的童年里有一段非常可怕的經(jīng)歷，年幼的她曾經(jīng)在兇殺現(xiàn)場(chǎng)親眼目睹死尸。這一段奇異的人生經(jīng)歷讓蓋布麗開始對(duì)尸體和死亡產(chǎn)生了好奇之心，這股子好奇隨著她年齡的增大越發(fā)強(qiáng)烈起來，蓋布麗甚至?xí)匾獾氖詹貓?bào)紙上的謀殺新聞做成剪報(bào)冊(cè)，時(shí)時(shí)翻閱溫習(xí)?！ ∵~阿密接連發(fā)生兇殺案，被害者均是養(yǎng)尊處優(yōu)的闊太太，而且無不身首異處。這起連環(huán)殺人案件很快就吸引了蓋布麗的注意，為了能夠更加接近命案現(xiàn)場(chǎng)，蓋布麗來到了一間專門清理命案現(xiàn)場(chǎng)的保潔公司應(yīng)聘成為了員工，并且在機(jī)緣巧合之下同連環(huán)殺人犯（威廉·鮑德溫 William Baldwin 飾）有了一面之緣。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
幸福2024
洼冢愛流,蒔田彩珠影片改編自《下妻物語》等經(jīng)典作品的原作---嶽本稔明的同名小說。故事講述了得知女友一周后就要死亡的“我”和“她”的青春物語。
贖夢(mèng)
張家輝,劉俊謙,陳法拉,袁富華,朱晨麗,李凱賢,袁綺雯,許恩怡,劉德華你心底，是否也鎖著一段秘密？ 落魄夜班司機(jī)蔡辛強(qiáng)（張家輝 飾）意外結(jié)識(shí)了心理醫(yī)生文思豪（劉俊謙 飾），然而在看似診療的表面底下，卻似乎暗藏著二人相互窺心探秘的審視，目光交鋒間，心魔呼之欲出……一場(chǎng)離奇車禍，一樁滅門慘案，詭異幻影不斷重現(xiàn)，驚悚氛圍下，直指靈魂叩問：你敢直面內(nèi)心的恐懼嗎？
內(nèi)幕2025
郭富城,任達(dá)華,吳鎮(zhèn)宇,方中信,陳國(guó)邦,湯怡,周勵(lì)淇,李靖筠,姜大衛(wèi),駱應(yīng)鈞,鮑起靜,黎峻,耿長(zhǎng)軍,張文杰,蘇家樂,張達(dá)倫,陳湛文,馬俊怡,鄒文正香港著名慈善基金會(huì)晚宴現(xiàn)場(chǎng)，財(cái)務(wù)總監(jiān)楊滔（任達(dá)華 飾）離奇吊死在會(huì)場(chǎng)，疑云籠罩之下，兩億善款也不翼而飛！“良知律師”馬迎風(fēng)（郭富城 飾）與“玩咖警長(zhǎng)”柯定邦（吳鎮(zhèn)宇 飾）意外被卷入其中，隨著二人調(diào)查不斷深入，慈善表象之下的駭人罪惡也接連現(xiàn)形——操縱司法、買兇殺人、走私販毒、勾結(jié)境外勢(shì)力……善意變生意，民眾的捐款竟淪為黑惡組織的血包！楊滔之死的真相到底是什么？他們能否將所有內(nèi)幕公之于眾，還社會(huì)以公道？