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幼獸
Evelien Bosmans,Stef Aerts,提圖斯·德·沃格特,Maurice Luijten陰陽(yáng)鏡
淮文,鄧靖弘 Jinghong Deng,江萊,張躍濱,曾廣泉,司珂華,肖沅希,王軍,李榮博向光花盛開
黃志忠,趙潤(rùn)南,齊歡,江珊,任重,歐豪冰球小子
保羅·紐曼,斯特羅瑟·馬丁,邁克爾·昂吉恩,珍妮弗·沃倫,林賽·克洛斯,杰里·豪澤,Andrew Duncan,Jeff Carlson,Steve Carlson,David Hanson,Yvon Barrette,Allan F. Nicholls,布拉德·蘇利文,斯蒂芬·門迪洛,Yvan Ponton,馬修·考爾斯,Kathryn Walker,梅林達(dá)·狄龍,M·埃梅特·沃爾什,斯薇茲·昆茨,Ronald L. Docken,Guido Tenesi,Jean Rosario Tetreault,靈犀
Jay Dee,Daniel 'Doknow' Lopez,Uziel Pantoja Delgado,Pao Villalobos,Nana Ponceleon,Laura Lopez,Francine Sena,Liz Ellie,Xavier Mendoza,Jose Mata,Cristian E. Gutierrez,Josh Benitez,Cory Aycock,Angelina Rosa,Noman Hosni,Terrence DeLane,Seryn納粹僵尸
Matthew Baunsgard,達(dá)米安·羅扎內(nèi)克,Ellis J. Wells,Richard Kovacs,Zach Devereux同類精選
食夢(mèng)者
佐藤健,神木隆之介,小松菜奈,桐谷健太,新井浩文,皆川猿時(shí),山田孝之,宮藤官九郎,中川雅也,染谷將太暗網(wǎng):謀殺案
艾登·霍華德,勞倫·杰克遜,達(dá)西·麥克唐納,布倫丹·弗萊徹,克勞迪婭·阿卜西,吉米·亞歷山大,阿卜杜拉·阿莫爾,肖恩·阿姆辛,喬希·布萊克,弗朗西斯·弗拉納根,亞當(dāng)·福克斯,艾米·古德默菲,馬修·格雷姆,斯科特·蓋萊特,賈米拉·霍爾,比利·威克曼,丹·扎卡里黃金七令之羅剎風(fēng)云
任子豪,何雨宸,李子雄,李家辛,徐俊,謝昌定,朱翔,曹憶,錢婧睿,張宸彬,高迦瀾,曾慶生,范奇飲食男女1994
郎雄,楊貴媚,吳倩蓮,王渝文,張艾嘉,歸亞蕾,趙文瑄,陳昭榮,陳捷文,盧金城,唐語(yǔ)謙,洪其德,王瑞,杜滿生,王玨,陳妤,左正芬,許敬民,聶卓晶,丁仲敵對(duì)維度
Stephen Beavis,Cedric Gall,Graham Hughes,Paddy Kondracki,Annabel Logan,Lucy the Dog,Josie Rogers,Andy Stewart,Joma West生息之地
汪尚,張楚文,張彥榮影視排行
海底軍艦
高島忠夫,中村哲,藤山陽(yáng)子,藤木悠,佐原健二,上原謙,小泉博,田崎潤(rùn),田島義文,平田昭彥本多豬四郎監(jiān)督 1963年/94分/カラー/35ミリ/東寶 出演:高島忠夫、小林哲子、田崎潤(rùn) 世界征服を狙うムウ帝國(guó)の野望を阻むべく、舊日本海軍が極秘に建造を進(jìn)めていた海底軍艦が水中?空中?地中を進(jìn)む。海底軍艦はムウ帝國(guó)の守護(hù)神マンダをうち破り遂に心臓部に到達(dá)する!壊滅したムウ帝國(guó)の女王の行動(dòng)も感動(dòng)的で何度見ても見飽きない不滅のSF映畫。
大熊
亞當(dāng)·布羅迪,泰勒·萊伯恩,巴勃羅·施瑞博爾,托比·哈斯,喬伊·科恩,扎克里·奈頓,Heidi HeasletBIG BEAR is about Joe (Joey Kern) who reluctantly has his bachelor party even though his fiancé just dumped him for some Dude (recent Emmy nominated. Pablo Schreiber).
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
揚(yáng)帆
貝蒂·戴維斯,保羅·亨雷德,克勞德·雷恩斯,格拉黛絲·庫(kù)珀夏洛特(貝蒂·戴維斯 Bette Davis 飾)已經(jīng)能算得上是一個(gè)老姑娘了,她梳著呆板的發(fā)型,穿著保守的服裝,性格也古里古怪的,更糟糕的是,她似乎還染上了酗酒的壞毛病。在家人的建議之下,夏洛特決定踏上治療心靈的旅途,登上了駛往遠(yuǎn)方的游輪。在游輪上,夏洛特邂逅了名為杰瑞(保羅·亨雷德 Paul Henreid 飾)的男子,并且在誤打誤撞之中和杰瑞的女兒結(jié)下了深厚的友誼。很快,夏洛特就感到自己墜入了情網(wǎng)之中,然而,此時(shí)的杰瑞并不是自由身,他有這一段無(wú)法結(jié)束的婚姻。心碎的夏洛特選擇了離開,而夏洛特的母親也在不久之后撒手人寰。