影片推薦
執法記錄
杰米·M·卡利卡,肖恩·羅格森,凱瑟琳·拉夫·哈格奎斯特,Angel Prater,基岡·康納·特雷西,Chris Casson,Elizabeth Longshaw,Colette Nwachi,Joe Perry,Kevin Doree即興謀殺
李庚希,鄧家佳,劉奕鐵,黃曉明,岳佳頤,趙胤胤,楊皓宇,宗俊濤,呂鑫,龔毅星,于晞悅禍禍女
南沙良,前田旺志郎,山田葵 ,高石明里,九條ジョー,鈴木福,前原瑞樹,平田敦子,平原哲,齋藤工,田中麗奈快樂獵殺
Martin Dingle Wall,Ken Lally,C.J. Baker,Gary Sturm米奇船大屠殺
Natasha Tosini,Shayli Reagan,Lauren Leppard密林諜影
康磊,馬亞楠,徐箭,梁笑,施駿喆,馬丹赫,張京生,宋禹,張貴生,穆佳男同類精選
綾音的高踢腿
宮村優子,川村萬梨阿,西原久美子,大塚明夫,山口勝平親陌公園
路易斯·布蘭多尼,愛德華多·布蘭科,Verónica Pelaccini,Agustín Aristarán,Manuela Menéndez,Matías Alarcón黑煞女2
丘普朗·阿瑞昆,杰克林·坤萬齊提柴誰不說俺家鄉好2026
曹隨風,王心嫚,張未柯,賈旭明忍者刺客49
小杉健,三浦誠己,菜葉菜星河戰隊3:掠奪者
卡斯帕·范·迪恩,喬琳納·布拉洛克,斯蒂芬·霍根,波瑞斯·科喬,阿曼達·多諾休,瑪內特·帕特森,斯特里奧·薩萬特,坦婭·范·格拉恩,Antonio Summerton,Nicole Salandra,柯基·法爾考,史蒂芬·詹寧斯,Rob Vega,格蘭特·斯旺比,Damon Berry,喬·瓦茲,卡爾·桑寧,蒂龍·基奧,凱文·奧托,勞倫·麥格雷,Tarryn Page,邦戈·姆布圖馬,科里·伯頓,凱瑟琳·奧克森伯格影視排行
午夜的太陽
鄭知曉,車學沇該片翻拍自2006年上映的同名日本電影,講述罹患罕見疾病——XP色素性干皮癥的女主因為皮膚不能接受陽光照射,否則將出現生命危險。從此白天與之無緣,只能終日躲在家中,唯一的樂趣也只是趁著夜晚踱到車站廣場唱著自己喜愛的歌。在這一過程中,女主漸漸喜歡上時常路過車站的沖浪男孩的愛情故事。
放送禁止我的三位妻子
影片以一部“本應播出卻被緊急叫停的紀錄片”為線索,記錄了一名男子與三位妻子共同生活的影像。網頁設計師萩原浩司、作為家庭經濟支柱的公司經營者中瀨由子、前模特乾真理奈,以及護士內野楓——四名相關人士被召集到一起,觀看了一段丈夫被殺害的錄像。然而,隨著影像逐漸展開,三位妻子卻先后承認: 兇手是自己。愛、依賴、嫉妒與謊言交織在影像背后,紀錄片的真實目的也隨之變得模糊。這部被“禁止播出”的影像,究竟隱藏著怎樣的真相?
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
小前提
Sathya Sridharan,帕頓·阿什布洛克,達納·艾希布魯克Attempting to surpass his father's legacy, a reclusive neuroscientist becomes entangled in his own experiment, pitting ten fragments of his consciousness against each other.