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私生活2025
朱迪·福斯特,維爾日妮·埃菲拉,馬修·阿馬立克,丹尼爾·奧特伊,文森特·拉科斯特,盧安娜·巴杰拉米,索菲·勒?qǐng)D訥爾精神醫(yī)生Lilian Steiner就自己一個(gè)病人的死展開(kāi)了調(diào)查，她相信這是一起謀殺。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
詩(shī)人2025
烏貝馬爾·里奧斯,蕾韋卡·安德拉德,吉列爾莫·卡多納,阿利森·科雷亞,翁貝托·雷斯特雷波,瑪格麗塔·索托中年詩(shī)人奧斯卡·雷斯特雷波沉迷于詩(shī)歌，卻始終未獲認(rèn)可。他孤僻而失落，活成了“被遺忘的詩(shī)人”典型。一次偶然的邂逅，他結(jié)識(shí)了出身貧寒的少女尤拉迪，并試圖引導(dǎo)她走上創(chuàng)作之路。隨著兩人關(guān)系的深入，奧斯卡將她帶入詩(shī)人世界，卻也讓她面臨理想與現(xiàn)實(shí)的沖突。
偷偷喜歡你電影版
施柏宇,程予希,林子閎,賴(lài)雅妍,紀(jì)卜心,曾少宗,陳如山,黃柏峰,海裕芬,錢(qián)薇真,蘇達(dá),鄭穎,張宸呈,吳函峮蘇明儀（程予希 飾）暗戀同校的顏立堯（施柏宇 飾）很久了，沒(méi)想到分班后成為同學(xué)，顏立堯不受拘束的性格讓他經(jīng)常被風(fēng)紀(jì)股長(zhǎng)蘇明儀“記名字”，記著記著，同時(shí)也在心里刻下了不可磨滅的印記，殊不知，卸下風(fēng)紀(jì)的她，只是一個(gè)暗戀他許久的傻女孩罷了。當(dāng)別人還在揮霍青春，年少的三人被迫提早面對(duì)人生的課題。 “其實(shí)，我早就喜歡你，只是不敢告訴你”? 故事線長(zhǎng)達(dá)10年，懵懂的他們各自把秘密埋在心底，直到真正變成大人的那一天。
醉刀客
李炳淵,孫藝燃,趙靖舒玉,藍(lán)曼予,來(lái)喜,龍武,閆青龍,喻慶輝,李長(zhǎng)虹,劉杰,王藝圍,郭宜林,姚紅剛,彭秋生,馮玉璽,楊爭(zhēng),黃本冰,席瑞東,彭羿言,李瀚辰影片講述威震江湖的“冷血刀客”寒月刃（李炳淵 飾），因一飯之恩重返枹罕鎮(zhèn)，而此時(shí)的枹罕鎮(zhèn)正遭受強(qiáng)權(quán)惡霸的欺凌壓迫，寒月刃決定出手相助，卻驚覺(jué)人性中的軟弱與恐懼遠(yuǎn)比暴力更加可怕。 而他與曼陀羅（孫藝燃 飾）的糾纏如毒刃絞心，在心動(dòng)與背叛間撕裂掙扎……
嘔吐戈?duì)?：祭祀
《祭祀》是2008年在美國(guó)上映的一部恐怖電影，由路西爾.維綸泰恩執(zhí)導(dǎo)，路西爾.維綸泰恩領(lǐng)銜主演。 《祭祀》展示了涅槃般樂(lè)隊(duì)的柯特·科本以及患有貪食癥的歌手安吉拉·阿伯丁自殺的瘋狂景象。受到惡魔般的同胞的感官精神的影響，安吉拉痛苦的自殘終于遭遇腦死亡。這是導(dǎo)演lucifervalentine的第二部作品
生人活祭
艾米·西米茨,凱特·林恩·希爾,喬·斯萬(wàn)博格,AJ·鮑恩,Kentucker Audley媒體從業(yè)人員帕特里克·卡特（肯塔克爾·德利 Kentucker Audley 飾）意外聯(lián)系到了失蹤許久的姐姐卡羅琳（艾米·西米茨 Amy Seimetz 飾）。卡羅琳當(dāng)初曾在戒毒所治療，如今住進(jìn)了一個(gè)名為“圣伊甸園”的地方，并自稱(chēng)過(guò)上了烏托邦般的生活。為了弄清姐姐的下落，帕特里克和同事兼好友山姆·特納（AJ·鮑恩 AJ Bowen 飾）、杰克·威廉姆斯（喬·斯萬(wàn)博格 Joe Swanberg 飾）啟程前往圣伊甸園的所在地調(diào)查。這座樂(lè)園位于一個(gè)鮮為人知的隱秘所在，許許多多生活中經(jīng)歷痛苦和坎坷的人們，在“父親”（吉恩·瓊斯 Gene Jones 飾）的感召和撫慰下重獲新生。 出于媒體人的敏感，山姆取得了和“父親”對(duì)談的機(jī)會(huì)，但他卻從對(duì)方幽默機(jī)智的談吐中嗅到了一絲殺氣……