韓女主播-姬素-12

　　當一名護士同事在神秘的情況下死亡后，兩名巡回護士必須撥開醫院里重重秘密迷宮，才能揭露兇手。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　故事發生在圣誕節前夕，母親的健康突然出狀況，讓四名成年子女和他們令人頭痛的父親慌了手腳，面對可能即將發生的失去，家庭氣氛也混亂失衡。但聰明的母親六月處變不驚，以犀利的幽默、坦率的態度和豐沛的愛，安排好自己的人生謝幕。

生物化學專家明翰受警局顧問沃克教授推薦，協助警方調查不明水生物離奇殺人案件。開始眾人都深信是鬼神之說出來害人，明瀚不以為然堅信自己的判斷，隨著案件的偵破，明翰得知兇手就是他尋找多年的父親明智，當年父親和沃克教授一起秘密實驗時，不幸意外感染，變異成了今天肆意殺人的河童。 最終真相大白原來這一切都是沃克教授所為，為了利益他背著明智進行非法人體實驗，當明智不幸感染時，他不僅沒有醫治明智還把他當成了意外的驚喜，對他進行了人體試驗，導致明翰的母親無人照顧病死家中多日。最終父子二人聯手協助警方摧毀了這個犯罪組織。