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奇跡夢之隊
凱萊布·麥克勞克林,加布里埃爾·尤尼恩,斯蒂芬·庫里,妮可拉·考夫蘭,尼克·克羅爾,大衛·哈伯,詹妮弗·路易斯,帕頓·奧斯瓦爾特,Jelly Roll,亞倫·皮埃爾,鮑比·李,安德魯·桑提諾,雪莉·可拉,愛德華多·弗蘭科,詹妮弗·哈德森,阿伊莎·庫里夢想成為職業球手的小山羊威爾，雖然天生身材矮小，卻憑借超凡球技闖入夢寐以求的球隊。然而本以為是夢想起點，沒想到卻是“地獄開局”，這支夢中情隊不僅賽績成績堪憂，隊友還個個都是“人才”。面對來自隊友的質疑與對手的嘲諷，他能否用自己的意志點燃球隊，帶領這支落魄之師創造新的奇跡？
廢世界
故事設定在《廢頭》世界的1042年前，以機器人“羅賓”作為主角。羅賓原本作為護衛，隨同調查隊長特里斯前往地下世界調查異常情況。盡管肩負保護特里斯的使命，但調查隊卻遭到了人工生命體馬里甘的邪教組織“吉拉教”的襲擊。在壓倒性的戰力差距下，調查隊陷入苦戰。然而，在這場激烈的交鋒中，他們發現了次元的扭曲，并逐步揭開地下世界隱藏的秘密與異變的真相。
追鋒
欒茗媛,劉瑜峰,李心博,徐峰,何涌生,于榮光,劉亞津,劉泊霄,孔孝信,董波,邊鐵軍,楊圓圓,汪恬爾,張楠是一部刑偵題材電影，主要講述中國警察歷經艱難將犯罪分子繩之以法，順利追回被盜文物的故事。
無名之町
福山雅治,有村架純,成田凌,生田繪梨花,木村昴,森永悠希,秋山寬貴,犬飼貴丈,岡崎紗繪,森崎溫,丸山智己,濱田麻里,伊藤淳史,生瀨勝久,仲村亨退休中學教師神尾英一被人殺害，即將于兩個月后結婚的女兒神尾真世（有村架純 飾）在得知父親突然離世的消息后，返回了自己的家鄉。然而，這座小鎮自疫情蔓延以來，已失去了往日的活力，游客稀少，氣氛沉寂。深受學生們愛戴的教師英一，究竟為何遭人殺害？渴望揭開真相的真世面前，出現 了一位神秘的男子——她的叔叔神尾武史（福山雅治 飾），一位曾在拉斯維加斯享譽盛名的前魔術師…… 本片改編自東野圭吾的同名小說，講述了主人公以觀察人類和誘導審問為武器，和侄女一起解決疑難事件的故事。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.