維多利亞一號(hào)未刪剪

評(píng)分：7.6 播放：26萬(wàn) 更新：2026-05-26
主演： 彭浩翔/

某銀行話務(wù)員鄧麗嫦（何超儀 飾）自幼生長(zhǎng)在一個(gè)平民家庭，她始終有一個(gè)情結(jié)，那就是努力賺錢買一套可以看得見(jiàn)大海的房子。為了這個(gè)目標(biāo)，阿嫦努力工作，下班后還干著兩份兼職，甚至和同事利用職務(wù)之便聚斂外快。眼看就要存夠豪華大廈維多利亞一號(hào)的首付，但是偏偏趕上樓市瘋漲的時(shí)候，簽合同當(dāng)天房主反悔，寧可賠付違約金也不愿按原價(jià)出售。為了房子而不懈努力的阿嫦遭受巨大打擊，在萬(wàn)圣節(jié)前夜，這個(gè)幾近崩潰的女子帶著一身殺意走進(jìn)了維多利亞一號(hào)…… 本片在香港上映時(shí)被評(píng)為三級(jí)片，港三正版DVD發(fā)行時(shí)正片刪掉5分鐘左右過(guò)激鏡頭，被刪鏡頭以花絮形式附錄DVD中。

影片推薦

詩(shī)人2025

烏貝馬爾·里奧斯,蕾韋卡·安德拉德,吉列爾莫·卡多納,阿利森·科雷亞,翁貝托·雷斯特雷波,瑪格麗塔·索托

喪尸特警

特里特·威廉斯,喬·皮斯科波,琳賽·福斯特,達(dá)倫·麥克加文,文森特·普萊斯,克萊爾·科克奈爾,陸錫麒,羅伯特·皮卡多,梅爾·斯圖爾特,田中徹,Martha Quinn,Ben Mittleman,Peter Kent,Cate Caplin,莫妮卡·里維斯

夜勤事件

南琴奈,竹財(cái)輝之助,關(guān)哲汰,田中俊介,坂本真,櫻井淳子,加藤夏希,五頭岳夫,手塚真生,Y?ki Yoshioka,千春水

角落小伙伴：天空王國(guó)與兩位小伙伴

井之原快彥,本上真奈美

一個(gè)明星的誕生1937

珍妮·蓋諾,弗雷德里克·馬奇,阿道夫·門吉?dú)W,梅·羅布森,安迪·德懷恩,萊昂內(nèi)爾·斯坦德,歐文·摩爾,佩吉·伍德,埃德加·肯尼迪,J·C·紐金特,吉恩·威廉姆斯,簡(jiǎn)·阿克,Eric Alden,歐文·培根,Jane Barnes,文斯·巴尼特,克拉拉·布蘭迪克,韋德·博特勒,西德尼·布雷西,Harry C. Bradley,Lynton Brent,海倫·查德維克,喬治·錢德勒,Virginia Dabney,Billy Dooley,赫伯特·埃文斯,雷克斯·埃文斯,帕特·弗萊厄蒂,弗朗西斯·福特,Tri

瘋狂動(dòng)物城2

金妮弗·古德溫,杰森·貝特曼,關(guān)繼威,福瓊·費(fèi)姆斯特,安迪·薩姆伯格,大衛(wèi)·斯特雷澤恩,伊德瑞斯·艾爾巴,夏奇拉,帕特里克·沃伯頓,昆塔·布倫森,內(nèi)特·托倫斯,邦妮·亨特,唐·雷克,麥考利·卡爾金,布蘭達(dá)·宋,莫里斯·拉馬奇,莉亞·萊瑟姆,雷蒙德·S·佩爾西,珍妮·斯蕾特,丹尼·特雷霍,馬克·史密斯,湯米·利斯特,讓·雷諾,塞西莉·斯特朗,朱恩·斯奎布,米歇爾·戈麥茲,戴維·法恩,約翰·雷吉扎莫,湯米·鐘,艾倫·圖代克,邁克爾·J·福克斯,喬希·達(dá)拉斯,彼得·曼斯布里奇,伊薇特·尼科爾·布朗,艾德·希蘭,

同類精選

影視排行

新外星人

克斯汀·埃伯索爾,喬納森·沃德,蒂娜·卡斯帕里,勞倫·斯坦利,杰德·考戈里

　　一個(gè)外星人家庭在不幸意外地被美國(guó)探測(cè)太空船攜回地球，他們?cè)谝魂嚮靵y中沖出太空總署逃向沙漠，但小外星人麥克與家人失散，溜上了不良于行的艾瑞克家人的旅行車而跟著車到了內(nèi)華達(dá)州。麥克在一次意外事件中救了艾瑞克之后，與艾瑞克兄弟和鄰居女童黛比等人結(jié)為好友，并要求他們協(xié)助搜救在沙漠中垂死的家人。艾瑞克一行人終于在麥克的指引下找到他的家人并帶他們回家，卻不意在超級(jí)市場(chǎng)中造成騷動(dòng)，警方及尾隨而來(lái)的科學(xué)家們企圖抓住他們而引發(fā)了沖擊…

殺手算命師

莎拉·墨菲,喬納森·斯托達(dá)德,Caina Summer Field,娜塔莉·丹尼爾斯,杰西卡·凱撒

　　在一位塔羅牌占卜師預(yù)言了一次偶遇后，肖恩開(kāi)始相信命運(yùn)，并為他的愛(ài)情生活和事業(yè)尋求進(jìn)一步的建議。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

KING OF PRISM -Your Endless Call- 大～家一起閃耀！PRISM☆TOURS

寺島惇太,齊藤壯馬,畠中祐,八代拓,五十嵐雅,永冢拓馬,內(nèi)田雄馬,蒼井翔太,武內(nèi)駿輔,杉田智和,柿原徹也,前野智昭,增田俊樹(shù),三木真一郎,關(guān)俊彥,森久保祥太郎,浪川大輔,中山咲月,山下誠(chéng)一郎,小林龍之,土田玲央,河合健太郎,鵜澤正太郎,橘龍丸,浦田涉,天月,梶原岳人,田丸篤志,近藤隆,大橋賢一郎,岡本信彥

《棱鏡少男 KING OF PRISM》系列新電影