虐欲柏林

★ 7.9 播放：69萬 更新：2026-05-27
主演： 瑪麗亞·比蒂/

世界知名虐藝術影星瑪麗亞比蒂呈現給我們再一次用她的作為在魏瑪時代的頹艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan。一個女主人和她的奴隸進行了一些S＆M的味表演。所有這些都是精心設計的精美與優雅誘人的運動，有時情欲的惡性行為。 腳戀物癖，奴役和比蒂的商標所有的珍珠一次露面。女演員很漂亮，服裝肯定是與問候戰前柏林的氣氛令人信服。 主要是在黑與白把重點放在30年代情色氛圍與各種色彩來添加有趣的心理水平。致敬支付給阿奈萬年和利奧波德馮 薩赫- Masoch也有一些有趣的想法如何，一般呈現情色。由于通常情況下與情色/色情導演的女性表演有一個放松的感覺是拒絕被趕到。這本身可以是心理上徒增。 有些令人沮喪樂壞了的地方毀損只是稍微郁郁蔥蔥的和美好的體驗（堅持佐恩，一些東西在這里聽起來很可怕又便宜） 。 這給我留下，我已經經歷了時間的傳奇歌舞表演性節目之一的感覺。 VIVA克里斯伊舍伍德。

在線播放

劇情簡介

世界知名虐藝術影星瑪麗亞比蒂呈現給我們再一次用她的作為在魏瑪時代的頹艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan。一個女主人和她的奴隸進行了一些S＆M的味表演。所有這些都是精心設計的精美與優雅誘人的運動，有時情欲的惡性行為。 腳戀物癖，奴役和比蒂的商標所有的珍珠一次露面。女演員很漂亮，服裝肯定是與問候戰前柏林的氣氛令人信服。 主要是在黑與白把重點放在30年代情色氛圍與各種色彩來添加有趣的心理水平。致敬支付給阿奈萬年和利奧波德馮 薩赫- Masoch也有一些有趣的想法如何，一般呈現情色。由于通常情況下與情色/色情導演的女性表演有一個放松的感覺是拒絕被趕到。這本身可以是心理上徒增。 有些令人沮喪樂壞了的地方毀損只是稍微郁郁蔥蔥的和美好的體驗（堅持佐恩，一些東西在這里聽起來很可怕又便宜） 。 這給我留下，我已經經歷了時間的傳奇歌舞表演性節目之一的感覺。 VIVA克里斯伊舍伍德。

導演精選

1922

　　故事講述了一個簡單又驕傲的牧場主，為了經濟利益和兒子一起謀殺了妻子。而在埋葬其尸體時，他發現自己被老鼠恐嚇，并確信妻子并沒有放過他！

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

審判者1

　　攝影師王樹因一次“死亡拍攝”獲獎并一舉成名，于此同時他也斷送了自己的攝影生涯。在輿論的審判下，沒有一家攝影公司愿意接納他，王樹不得不轉行維持生計，不想卻變成了網絡爆紅的“審判者”，并陷入了一宗撲朔迷離的死亡綁架事件，踏上了“心靈審判”的漫漫長路......