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保護者2025
Former war hero Nikki's peaceful life is shattered when her daughter is kidnapped. Thrust into the criminal underworld while hunted by cops and military, she must fight to rescue her child.
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
無處單身
在一個田園詩般的托斯卡納小鎮，基安蒂的貝爾維德，所有的女人都結婚了，或者在尋找完美的丈夫，除了經營勒朱焦萊葡萄園的單身母親Elisa。一位多年不見的兒時好友回到小鎮，讓她的生活天翻地覆，喚醒了她以為已經永遠消失的感覺。