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風來之所
Slim Baccar,桑杜斯·哈桑,Eya Bellagha,Maya Blouza,穆罕默德·格拉亞,Lassaad Jamoussi,Saoussen Maalej,Lobna Noomene復仇女孩
貝拉·索恩,米基·洛克,切德·弗斯特,Glen Gould,蘭內特·瓦雷科學怪人對地底怪獸
高島忠夫,Nick Adams,水野久美,土屋嘉男,佐原健二,伊藤久哉,沢井桂子圣傳
伊倉一壽,速水獎,山口勝平,榊原良子黑暗之中
娜塔莉·多默爾,艾米麗·拉塔科斯基,艾德·斯克林,喬莉·理查德森,詹姆斯·科茲莫,尼爾·馬斯克爾,安珀·安德森,揚·貝弗特,貝恩·科拉科,萊克茜·本博-哈特,金·阿迪斯,丹尼爾·厄根,Chelsea O'Connor,雷納斯·拉特科夫斯基,奧萊加·費多羅瑪德琳的瑪德琳
海倫娜·霍華德,米蘭達·裘麗,莫莉·帕克,奧奎·奧克波克瓦西里,蘇妮特·瑪尼,費利佩·博尼拉,麗莎·薩爾斯,寇蒂斯·庫克,雷納爾多·皮涅拉,邁拉·盧克利希亞·泰勒,茱莉·塞爾達,達娜·埃斯科爾森,蘇澤特·古恩,邁克·霍奇,亞歷山德拉·塔塔爾斯基致命玩笑3
克麗斯滕·齊恩,本·霍靈斯沃斯,迪恩·阿姆斯特朗,肯·科齊格 Ken Kirzinger,Jesse Hutch,薩拉米切同系列推薦
怒獸出籠
丹尼爾·麥克弗森,盧克·海姆斯沃斯,羅素·克勞,布倫·福斯特,莫讓·阿里亞,馬特·納夫萊,凱莉·蓋爾,內森·菲利普斯,Amy Shark,埃莉扎·德蘇扎,CJ·布隆菲爾德,喬治·布吉斯,Callan Colley,Saphira Moran,George Tilley,Liam Resnekov,羅基·弗里杰里奧,Alex Ballesteros分享鎮
達科塔·約翰遜,阿德里婭·阿霍納,凱爾·馬文,邁克爾·安蓋洛·科維諾,西蒙·韋伯斯特,查理·吉爾萊斯皮爾,大衛·卡斯塔尼達,O·T·法格本,娜赫瑪·里琪,蒂龍·本斯金,尼可拉斯·博朗,萊奧·亨尼利,羅賓·吉倫,利蒂希婭·布魯克斯,泰勒·豪爾,艾米麗·歐康納,盧克·麥克菲爾,讓-克勞德·莫萊斯,賈·旁,杰西卡·馬圖琳,斯蒂芬·阿德科魯,尼古拉斯·波舍爾治療尸
陳郡君,張立昂,蔡子,陳沛興,鐘麗芬,劉芷希封神之雙魂妲己
校園鬼降瘋
Liyana Jasmay恐龍·怪鳥的傳說
渡瀬恒彥,林彰太郎,沢野火子,津島智子,牧冬吉幕后花絮
秒速5厘米真人版
改編自新海誠創作的同名動畫電影,講述了一段跨越時間與距離的青澀愛情與成長故事。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster