輕蔑2011

2.7 播放：14萬 更新：2026-05-29
主演： 廣木隆一/

「跟我一起遠(yuǎn)走高飛吧！」兩個(gè)寂寞的靈魂，相遇在新宿歌舞伎町的霓虹燈影煙暈。鋼管女郎及紈褲子弟之間的一個(gè)凝視，交換彼此眼裡的渴求。她的堅(jiān)持與溫柔，構(gòu)成愛情最後的防線。就算遭受周圍眾人反對，對他們的愛情表示輕蔑，但他們還有彼此的體溫能夠依靠。

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詳細(xì)簡介

「跟我一起遠(yuǎn)走高飛吧！」兩個(gè)寂寞的靈魂，相遇在新宿歌舞伎町的霓虹燈影煙暈。鋼管女郎及紈褲子弟之間的一個(gè)凝視，交換彼此眼裡的渴求。她的堅(jiān)持與溫柔，構(gòu)成愛情最後的防線。就算遭受周圍眾人反對，對他們的愛情表示輕蔑，但他們還有彼此的體溫能夠依靠。

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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

惡魔在上

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　　Two estranged brothers come together and discover old family secrets after inheriting their grandfather's property. As their friends start to go missing, they fear they are being stalked by a creature lurking in the shadows.

弗蘭肯斯坦計(jì)劃

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　　盧迪（凱內(nèi)爾·穆德盧佐 Kornél Mundruczó 飾）從小就成長在孤兒院中，他剛一出生就被父母無情的拋棄了，從來都沒有感受過親情的滋味。17歲時(shí)，對父母的思念在盧迪的內(nèi)心里愈演愈烈，他決定動身去尋找他們的蹤跡。但很快，殘酷的現(xiàn)實(shí)就讓盧迪知道，他的存在對于他的親人們來說或許并非一件好事。　　一次偶然中，盧迪得到了一次試鏡的機(jī)會。導(dǎo)演被盧迪身上所散發(fā)出來的陰郁氣質(zhì)深深的吸引了，認(rèn)為他就是扮演自己電影里角色的不二人選?？墒窃旎?，導(dǎo)演并不知道，眼前的這個(gè)年輕人，正是他早些年間拋棄的兒子。

食夢者

佐藤健,神木隆之介,小松菜奈,桐谷健太,新井浩文,皆川猿時(shí),山田孝之,宮藤官九郎,中川雅也,染谷將太

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索蕾：來自未來的妻子

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　　Sore從未來穿越回過去，只為改寫她丈夫Jonathan的命運(yùn)。但命運(yùn)從不輕易讓步——當(dāng)過去、現(xiàn)在與未來交織，她與Jonathan的愛情也陷入無法逃脫的時(shí)間迷宮。