受難記1982
波蘭電影導演杰西在法國為電視臺拍攝影片時陷入困艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan。他不僅嚴重超支,喪失靈感;而且這部叫做“情欲”的片子變得死氣沉沉蒼白無力。電影攝制組下榻的旅館為漢娜所擁有。她和米歇爾同住。米歇爾自己開工廠,最近解雇了清潔工伊莎貝拉。漢娜和伊莎貝拉都為導演杰西所著迷,旅店的女仆都辭去工作,爭做臨時演員。人們問導演影片的故事何在:女人們寬衣解帶,臨時演員在場外互相愛撫。導演感到納悶:為什么一定要有故事呢?
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臨時家族
張雙利,盛朗熙,李洛伊重返重生
米凱拉·麥克曼努斯,Stella Marcus,杰里米·S·霍爾姆,吉姆·卡明斯,泰勒·米斯亞克,丹德里·泰勒,Derick Alexander,希爾蒂·鮑溫,Raphael Chestang,黛布拉·克里斯托弗森,Minita Gandhi,倫敦·加西亞,Clinton Lowe,Michael Manuel,雷米·奧爾蒂斯,丹·佩羅,Tamika Simpkins,戴維·特雷爾,格瑞思·范·迪恩,胡安·弗朗西斯科·維拉火中金
張桐,侯天來,李易祥地面之下
Eric Abercrombie,Mira Antonova,Joseph Canales筆仙2004
李世恩,金圭莉漆黑如夜
Lukas Haas,凱文·杜蘭同類推薦
河東獅吼
張柏芝,古天樂,范冰冰,黃偉文,許紹雄,張錦程,黃浩然,毛堅月娥(張柏芝)是宋朝年間的烈女,武功了得,行俠仗義,追求專一的愛情和婚姻。一日在演詩會上偶遇一表人才的陳季常(古天樂),二人互生情愫。碰巧皇上為二人賜婚,成全了美好姻緣。但是考驗二人感情的時候才剛剛開始——月娥為管住夫君,對季常管束甚嚴。但適得其反,季常在風流好友蘇軾(許紹雄)的帶領下經常去尋花問柳。月娥萬般無奈,幸好用計試探,終得知季常仍深愛自己。但是,當月娥外出歸來,卻發現季常舊病復發,竟搭上了郡主(范冰冰)。月娥悲憤交加,喝下了忘情水。
寵物墳場2(2023)
杰克遜·懷特,娜塔莉·阿琳·林德,福勒斯特·古德勒克,Isabella LaBlanc,亨利·托馬斯,杰克·馬赫恩,大衛·杜楚尼,薩曼莎·瑪西絲,帕姆·格里爾,克里斯蒂安· 杰達,Steve Love,卡爾·格拉戈薩斯,文森特·萊克萊爾,Glen Gould,馬特·霍蘭德,泰德·惠托爾,John Boylan,Noah Labranche,Corgand Svendsen,Jude Beny改編自斯蒂芬·金小說。是2019年那部寵物墳場的前傳。講述1969年賈德·克蘭德爾發現了一段黑暗的家族史:一個神秘墳場里被埋葬的人和動物都會復活,但事情絕沒有看起來那么簡單。
危境交戰
艾米·博特斯,普登絲·布特萊齊,法拉伊·奇古杜危險且不可預測的任務!在這飽受戰爭蹂躪的國家,他能否改變現狀? 麥可福斯特曾是一名士兵,后來成為承包商,他和他的團隊發現自己在一個與內戰殘余和秘密犯罪分子作斗爭的國家中執行著一項危險的任務…
死亡修女
阿瑞亞·貝得瑪,阿爾穆德納·阿莫爾,Maru Valdivielso,Luisa Merelas,Chelo Vivares,Pablo Guisa Koestinger,康斯薇洛·特魯希略,Daniela Casas,Olimpia Roch,Sara Roch,Marina Delgado,Claudia Fernández Arroyo,Adriana CamarenaThe film tells the story of how, in post-war Spain, Narcisa (played by Aria Bedmar), a novice with supernatural powers, arrives at a former convent, now a school for girls, to become a teacher. As the days go by, the strange events and increasingly disturbing situations that torment her will eventually lead her to uncover the terrible web of secrets that surround the convent and haunt its inhabitants.
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster