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孽欲之殤
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王婷,王昭,張喜來,李小胖,袁琳蘭,李星辰兇兆1976
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撒冷鎮2024
作家本·米爾斯回到他兒時的故鄉——撒冷鎮,為他的下一本書尋找靈感,卻發現他的家鄉正被一個嗜血的吸血鬼掠奪。
荒島大逃亡
4個單身青年被邀請到孤島之上開始畢業旅行,上島之后卻不料被當做“獵狼”俱樂部成員的“獵捕”對象,一次驚險的逃亡與反抗之旅在獵物與獵人之間悄然展開。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster