非洲浪漫冒險
羅伯特是一個攝影師,他富于靈感,洞察力強,喜歡冒艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。為了創(chuàng)造他想象中的完美藝術(shù),他尋找到了年輕漂亮的卡琳。卡琳是個天才模特,雖然她自己不知道,羅伯特發(fā)現(xiàn)了她。本來卡琳不愿意當(dāng)模特,但是羅伯特說服了她,因為他要帶她去非洲寫景。在原始大森林里,他們迷失了。身邊不是獅子就是老虎毒蛇,生死關(guān)頭他們相愛, 但是他們能否回到自己的家里享受愛情的甜蜜呢?
即刻觀影
劇情賞析
編輯推薦
沐浴鹽僵尸
Josh Eal,Ethan Holey,Jackie McKownIn New York City, potent strands of bath salts have surfaced and have attracted the most devoted bath salt junkies. A young aspiring chemist has developed an even stronger batch... but something has gone horribly wrong.
迷失的欲望
靳圣通外表漂亮的子晨內(nèi)心充滿著欲望,漂亮的包包和高檔的手表的加持,子晨在人群中格外顯眼,子晨得到了極大的滿足。然而真正的奢侈品是愛情,子晨開始瞞著自己的丈夫和花花公子開始交往,隨著時間的推移,債務(wù)暴雷,情感更是騙人的游戲,子晨終于把自己推向了絕境。
愿大家擁有幸福
古川琴音,松大航也,橋本和雄本作は田舎に住む祖父母に會いに行く看護學(xué)生の孫を主人公にした物語。孫は家族水入らずで幸せな時間を過ごすが、祖父母の家にいる「何か」に違和感を覚え、やがて人間の存在自體を揺るがすような根源的な恐怖に直面する。
月球叛軍:火之女
索菲亞·波多拉,艾德·斯克林,克利歐佩特拉·科爾曼,加利·艾爾維斯,安東尼·霍普金斯,查理·漢納姆,吉娜·馬隆,米希爾·赫伊斯曼,寇瑞·斯托爾,杰曼·翰蘇,斯圖爾特·馬丁,裴斗娜,多米尼克·伯吉斯,里安·里斯,阿方索·埃雷拉,雷·費舍爾,弗拉·菲,斯塔茲·奈爾,丹尼埃爾·布魯吉奧,雷·波特,E·達菲科幻史詩《REBEL MOON》由《斯巴達 300 勇士》《超人:鋼鐵之軀》和《亡者之師》的導(dǎo)演扎克·施奈德耗時數(shù)十年打造。當(dāng)宇宙最遙遠的月球上的一個和平村落受到殘暴的 Regent Balisarius 的軍隊威脅時,住在村中的神秘陌生人 Kora(索菲亞·波多拉飾)成為了他們生存的最大希望。Kora 的任務(wù)是尋找訓(xùn)練有素的戰(zhàn)士,與她攜手一起對抗 Motherworld。Kora 召集了一小群戰(zhàn)士 — 來自不同世界的外來者、叛亂分子、農(nóng)民和戰(zhàn)爭孤兒,他們有著共同的救贖和復(fù)仇需求。當(dāng)最讓人意想不到的衛(wèi)星被陰影籠罩時,一場關(guān)于星系命運的戰(zhàn)斗開始了。在這個過程中,一支新的英雄軍隊組建成立。
利刃之刀鋒戰(zhàn)士
魏小歡,張博楠,馬暢,劉冰講述的是程崗所在的特警隊在局長陳海安的運籌帷幄下,與黃贊為首的走私犯罪集團斗智斗勇,最后將犯罪分子一網(wǎng)打盡的故事。展現(xiàn)了以程崗、沈欣為代表的特警,為破獲文物案和圍剿犯罪分子所作出的犧牲和奉獻。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster