極樂紅粉天

3.8 播放:87萬 更新:2026-05-29
主演: 曾根中生/

江戶城一處破爛骯臟的貧民長(zhǎng)屋中,住著一群一貧如洗卻開朗樂天的窮艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。生活在底層的他們,總能找到屬于他們的快樂。某天,這群人在松婆(橘田良江 飾)帶領(lǐng)下去越后布店行乞,與店家和保護(hù)人發(fā)生了激烈卻笑料百出的爭(zhēng)斗。阿紺(片桐夕子 飾)襲擊了越后屋老板的女兒阿娟(吉野あい 飾),并穿上對(duì)方的和服取而代之。旗本家繼承人善本寺新三郎(山本涼 飾)原定與阿娟相親,他對(duì)此毫不情愿,然而卻對(duì)阿紺一見傾心,二人墜入愛河。短暫的相處加深他們對(duì)彼此的思念,事后新三郎不顧身份懸殊和家人朋友的阻攔,毅然前往長(zhǎng)屋尋找愛人……

播放通道

詳細(xì)簡(jiǎn)介

江戶城一處破爛骯臟的貧民長(zhǎng)屋中,住著一群一貧如洗卻開朗樂天的窮艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。生活在底層的他們,總能找到屬于他們的快樂。某天,這群人在松婆(橘田良江 飾)帶領(lǐng)下去越后布店行乞,與店家和保護(hù)人發(fā)生了激烈卻笑料百出的爭(zhēng)斗。阿紺(片桐夕子 飾)襲擊了越后屋老板的女兒阿娟(吉野あい 飾),并穿上對(duì)方的和服取而代之。旗本家繼承人善本寺新三郎(山本涼 飾)原定與阿娟相親,他對(duì)此毫不情愿,然而卻對(duì)阿紺一見傾心,二人墜入愛河。短暫的相處加深他們對(duì)彼此的思念,事后新三郎不顧身份懸殊和家人朋友的阻攔,毅然前往長(zhǎng)屋尋找愛人……

同類推薦

E.S.P.Y

藤岡弘,西辻由美子,草刈正雄,加山雄三,若山富三郎,內(nèi)田勝正,岡田英次,睦五郎,山谷初男,高村ルナ

  小松左京の同名SF小説を原作に、超能力を持つ諜報(bào)員?エスパイたちの活躍を描く。當(dāng)時(shí)の技術(shù)で、果敢に超能力を表現(xiàn)しようとする試みが光る。田村、マリア、三木の3人は、國(guó)連の秘密組織’“エスパイ”で働いていた。エスパイとは、超能力を悪用する逆エスパイと戦うための超能力者を養(yǎng)成する機(jī)関である。やがて、東西冷戦の要?バルトニアの首相暗殺計(jì)畫をめぐって3人の活躍が始まる……。

羅格河

米歇爾·佩吉,Art Alexakis,克里斯·科伊,邁克爾·庫立茲,盧辛達(dá)·珍妮

  ★《羅格河》:一位年輕的女性駕車沿著羅格河旅行,可是她的車子卻神秘的消失了。失去了代步工具和通信,別無選擇,她只得接受了一位陌生人的好意在他的小屋中過夜。可是這個(gè)選擇卻讓她后悔終生。在接下來的時(shí)間里除了折磨還是折磨,難以描述的疼痛與令人恐怖的苦痛。如果你看過苦痛,你就什么都沒看過。這部電影在其他恐怖電影結(jié)束之處開始,恐懼與作嘔將縈繞觀影者始終。

跟我○○○就能紅

青山泰菜,竹田光稀,円谷優(yōu)希,十代修介,富樫未來,佐藤仁,森岡里世,大地洋輔,八木將康,川瀨陽太

地方から上京してマンガ家を目指すヒロインが戀に仕事に奮闘する本作。原作は実體験をもとにした香穂のマンガ「俺とSEXすれば売れる」だ。エロい中年マンガ家や若いアシスタントに次々と手を出す中堅(jiān)マンガ家など、危うい先輩たちに囲まれながら向上心を保ち邁進(jìn)していく主人公?香穂をミスFLASH2022 セミファイナリストの青山泰菜が演じた。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

薩利姆鬼屋事件

小比爾·奧伯斯特,Courtney Abbiati,Jenna Stone

  新警長(zhǎng)一家住進(jìn)了免費(fèi)的一個(gè)很大的老房子里,但里面卻有....  The new town sheriff moves into a large creepy old house with his family. It seems that in the town of Salem there's a special house for the sheriff to live in gratis. Unfortunately it's haunted by witches that have a strong craving for sheriff's blood.