性工作者十日談

★ 2.7 播放:35萬(wàn) 更新:2026-05-27
主演: 邱禮濤/

一個(gè)關(guān)于夜總會(huì)結(jié)業(yè)前十天發(fā)生的故事……歡場(chǎng)姊妹花患難相扶持、鴨店男妓與易裝人妖相依戀、舞廳媽媽生遇上同志大丈夫情海翻波、北姑勤奮向上衣錦還鄉(xiāng)、女大學(xué)生鍥而不舍爭(zhēng)取娼權(quán),還有一樓一鳳、企街等不同性工作者的遭遇拼湊而成故事,以十日的時(shí)間繪出夜總會(huì)行業(yè)的夕陽(yáng)之歌。

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劇情簡(jiǎn)介

一個(gè)關(guān)于夜總會(huì)結(jié)業(yè)前十天發(fā)生的故事……歡場(chǎng)姊妹花患難相扶持、鴨店男妓與易裝人妖相依戀、舞廳媽媽生遇上同志大丈夫情海翻波、北姑勤奮向上衣錦還鄉(xiāng)、女大學(xué)生鍥而不舍爭(zhēng)取娼權(quán),還有一樓一鳳、企街等不同性工作者的遭遇拼湊而成故事,以十日的時(shí)間繪出夜總會(huì)行業(yè)的夕陽(yáng)之歌。

導(dǎo)演精選

這個(gè)阿爸真爆炸

  任慕英(梁家輝 飾)是一個(gè)單親爸爸,以教授鋼琴來(lái)?yè)狃B(yǎng)女兒Ellen(蔡卓妍 飾)長(zhǎng)大。可是女兒升上Band 5后就變得越來(lái)越不聽話,令任慕英十分擔(dān)心。Ellen一直覺得爸爸十分“娘娘腔”,覺得自己就算有什么麻煩,爸爸也是不可靠的人。Ellen的同學(xué)都誤會(huì)了她的爸爸是個(gè)江湖高手——慕夜飛鷹,相繼要求拜為師傅,此時(shí)Ellen才對(duì)爸爸改觀。但任慕英被誤以為是絕招的身手,不過是在照顧女兒的時(shí)候練出來(lái)的。  女兒開始覺得爸爸老了,可她還是到處惹禍,更被慕夜飛鷹的仇家脅持,任慕英為了救回女兒,獨(dú)自女兒被困的地方……

最偉大的時(shí)光

 露絲·威爾森、庫(kù)什·珍寶、裴淳華正商談主演改編自大熱音樂劇《The Band》的新片[最偉大的時(shí)光](Greatest Days,暫譯)。影片由科奇·吉爾佐(《名姝》)執(zhí)導(dǎo),片名靈感源自英國(guó)流行組合接招合唱團(tuán)(Take That)的同名歌曲。故事圍繞著五名女學(xué)生展開,她們?cè)谧约鹤钕矚g的男孩樂隊(duì)的演唱會(huì)上,度過了一生中最難忘的夜晚。25年后,她們的生活以及生活方式發(fā)生了翻天覆地的變化,她們相聚在一起回望過去并探索未來(lái)。接招合唱團(tuán)成員包括加里·巴洛、霍華德·唐納德、杰森·奧蘭奇、馬克·歐文和羅比·威廉姆斯。環(huán)球音樂集團(tuán)將全力助陣該項(xiàng)目,接招合唱團(tuán)的大量歌曲將獲得使用,包括《Patience》《Back For Good》《A Million Love Songs》《Relight My Fire》《Could It Be Magic》等金曲將全部在影片中呈現(xiàn)。

我能有個(gè)見證人嗎

  Can I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth.  With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50.  Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned.  Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.