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愛爾蘭式告別
米歇爾·費爾利,帕迪·詹金斯,James Martin,謝默斯·奧哈拉驅魔2024
羅素·克勞,芮安·辛普金斯,薩姆·沃辛頓,克洛伊·貝利,亞當·戈德堡,亞德里安·帕斯達,戴維·海德·皮爾斯,特雷西·邦納,瑪塞奈·麗奈特,約書亞·約翰·米勒,哈莉·塞繆爾斯,漢娜·布萊克,薩曼莎·瑪西絲,杰登·方丹,扎克·帕德羅,查德·邁克爾·貝爾德,德魯·布羅德里克幻想游戲
久本雅美,板野友美,田中幸太朗,仙石南地球浩劫
肖恩·康納利,娜塔莉·伍德,卡爾·莫爾登阿特拉斯聳聳肩
泰勒·席林,保羅·約翰遜,格蘭特·鮑爾,賈蘇·加西亞,馬修·馬斯登,Rebecca Wisocky神探伽利略 禁斷的魔術
福山雅治,北村一輝,新木優子,村上虹郎,森七菜,渡邊一計,澤部佑,朝倉亞紀,中村雅俊,鈴木浩介,平原テツ同類推薦
驚爆魔盜團
祖爾·阿里芬,Sharnaaz Ahmad,Amelia Henderson,Nadhir Nasar,鄭斌輝,Yasmin Hani,呂楊,米勒·可汗,Elvina Mohamad,G Theebaan,Anas Ridzuan,Wan Raja,Mustaqim Bahadon,Aanantha Rajaram,Shamini Shradha,Alicia Amin,陳沛江,Sherry Al JeffryA skilled magician recruits an unlikely team for a daring heist to acquire a valuable gem. As they navigate their intertwined histories and escalating stakes, they must master deception, confront vulnerabilities.
禪武門
張玲,鄭少秋,田豐,王俠《撣武門》是1983年上映的臺灣電影,由張鵬翼導演。張玲,鄭少秋,王俠等人主演。《撣武門》講述某朝皇帝在正月十五日比武大賽之前, 得知刑部大臣陸人敵欲乘機謀反, 乃飛鷹傳書其派駐在東, 南, 西, 北四郡的諸侯回朝護駕, 然四人均於回朝途中為刺客所暗殺, 南郡主之女孤獨冷雁於其父被刺後始得報, 火速趕回想為父報仇· 一日孤獨冷雁巧遇鬼紅娘, 才知兩人同出一個師門, 尤其孤獨冷雁學得高深之禪功, 身手快捷, 眼力極強, 卻可惜他·.....
水底驚魂
丹尼爾·祖瓦圖,邦妮·丹尼森,克里斯·康羅伊,喬尼·奧爾西尼,葛瑞芬·紐曼,Mackenzie Rosman,馬克·馬戈利斯陽光明媚的日子里,約翰(丹尼爾·佐瓦特 Daniel Zovatto 飾)和凱蒂(邦妮·戴尼森 Bonnie Dennison 飾)、麥特(克里斯·克羅伊 Chris Conroy 飾)、齊克(格里芬·紐曼 Griffin Newman 飾)、西蒙(約翰尼·奧希尼 Jonny Orsini 飾)和黛比(Mackenzie Rosman 飾)等五名好友,驅車來到一個毗鄰湖邊的僻靜所在進行他們畢業前的紀念派對。他們劃著小船來到湖中央,曾經有著恐怖記憶的約翰對這片水域頗多忌憚,但是他膽大妄為的伙伴們則競相跳入水中,享受戲水的快樂時光。誰知好景不長,先是小船遭到猛烈碰撞,接著黛比被一條怪魚咬傷致死。 年輕人的噩夢由此展開,他們的磨難還未就此結束,嗜血獵手漸次向他們逼近……
母愛無赦
本尼迪克特·加勒特,葉夫根尼婭·冬妮娜,Liraz Chamami,Edward Sonnenblick,Amir Haddad,尤西·馬什克,弗拉基米爾·弗里德曼,Ronn Talia Lynne當25歲的加利因在莫斯科走私毒品被捕時,一位母親和女兒的假期變成了一場噩夢。Orna為證明女兒的清白而進行的斗爭使她陷入了一個危險的犯罪世界。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster